Review: Dolphin Music

Dolphin Music (Cambridge English Readers Level 5)Dolphin Music by Antoinette Moses

My rating: 4 of 5 stars

“The year is 2051. CONTROL, the government of Europe, keeps everyone happy in a virtual reality. This is a world where it is too hot to go out, and where wonderful music made by dolphins gives everyone pleasure. It’s a world which is changed forever when music critic Saul Grant discovers what makes dolphins sing and sets out to free them.”

Wouldn’t this back-cover tidbit catch your attention immediately if you stumbled upon it while browsing through used books? I know it caught mine. It was in the open-air book market in front of Sofia City Library, where I’m doing my EVS. If anything with either 1) dolphins, 2) the Web or 3) dystopian sci-fi is easy enough to pique my interest on its own, imagine my face seeing them combined.

The book itself is only 96 pages long and, regardless of the simple language because the book was written specifically for EFL students of around FCE level, I found it to be quite enjoyable and engaging; not pretentious yet interesting; simplified in language but not messages, and quite relevant ones, too.

To tell you the truth, I find telling a story in the easiest words possible quite charming. Something in the style just makes my heart softer, like ice cream with warm cookies. It’s like watching children’s cartoons and being able to appreciate the simple beauty of it just because you’re an adult. If a universal truth were spoken, I’m sure it would be closer to such language than to the kind reserved for high philosophy. They say that life is complicated; that’s true, but it’s also fantastically simple.

For what it is, Dolphin Music is really good. I started off by giving this book three stars but writing about it made me happier. I can’t see what should stop me from giving it four.

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Review: Nine Princes in Amber by Roger Zelazny

Nine Princes in Amber (Amber Chronicles, #1)Nine Princes in Amber by Roger Zelazny

My rating: 4 of 5 stars

I discovered Roger Zelazny from Ran Prieur’s recommended books list (scroll all the way to the bottom). Basically, our Earth and reality is one of many, one of countless Shadow worlds. The one true world is Amber, and there are 9 princes who all claim the throne to it. If this smells like Game of Thrones with a hearty dose of The Dark Tower to you, you have an excellent nose.

The story was simple and straightforward, without too many descriptions which would have made me turn the pages in frustration as I had done with The Lord of the Rings. The characters aren’t very well fleshed out, apart from Corwin (the protagoinst), but honestly I didn’t really care: the action and the scope were so grand and the plot development centered around Corwin, with his own very lucid and personalable narration, so engaging from the very first pages to the very last, that I didn’t miss not finding out too much about the rest of the princes. The problem is that the plot isn’t limited to those very last pages. The first book was a good introduction to the world of Amber and Corwin’s story, the internal plot was resolved, a round and bubbly sigh of optimism was left, but the huge events the book basically hints at are barely even put into motion. I suppose that’s a problem with any series in any medium.

Perhaps the thing I liked the most about Zelazny’s writing was his edge, his cheekiness and willingness to play around with expectations. If the rest of the books set in Amber are in a similar style, I’m in for a treat!

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Review: The Word For World Is Forest

The Word For World Is ForestThe Word For World Is Forest by Ursula K. Le Guin
My rating: 4 of 5 stars

“The Dispossessed” left with me a voracious appetite for all things Le Guin and renewed my interest in science fiction in general. This book satisfied the hunger at the same time whetting the appetite just a bit more. Paradoxical? I’ll let the great Jean-Jacques Rousseau answer for me from his honoured and ancient grave: “I’d rather be a man of paradoxes than a man of prejudices!” Thank you Goodreads for helping us learn useful(?) quotes.

A lot of people say this book is like Avatar or Pocahontas and that they’ve read this noble savage story before. They’re only superficially right: the nobility of the savages and the Terrans’ barbarism do often lean closer to the stereotypical, I admit. However, the politics are much more believable and down-to-earth, the ending is surprising and a punch-in-the-gut in its almost cynical approach and the love story doesn’t involve two characters; it rather emerges between the reader and the beauty of the Other, the mystery of this foresty world which represents everything Terrans (that is us) lost thousands, if not tens of thousands of years ago.

It’s a very short read, therefore it doesn’t allow itself to go as deep as I would have liked it to into the lives and culture of the Athsheans, who I’m ashamed I had to constantly stop myself thinking of as Ewoks.

All in all, The Word For World Is Forest is as close to Avatar as The Shawshank Redemption is to Prison Break. Make no mistake: this is nothing less than science fiction at its best. I truly hope the rest of her books can keep the bar this high.

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Review: Making History

Making HistoryMaking History by Stephen Fry

My rating: 3 of 5 stars

“I don’t know why I find it intensely erotic to stand naked before an open fridge, but I do. Maybe it’s something to do with the expectation of a hunger soon to be satisfied, maybe it’s that the spill of light on my body makes me feel like a professional stripper. Maybe something weird happened to me when I was young. It is an alarming feeling, mind, because all those assembled food-stuffs put ideas in your head you’re on the rise. Stories of what you can do with the unsalted butter on ripe melons or raw liver, they crowd your head as the blood begins to rush.
“I spotted a big slab of Red Leicester and pulled off a piece with my hands. I stood there chewing for some time, buzzing with happiness.
“Thas was when the idea came to me, full born.
“The force of it made me gape. A mashed pellet of bread fell from my open mouth and at once the blood flew upwards to the brain where it was needed, leaving my twitching excitement below with nothing to do but shrink back like a started snail.”

No wonder this man can write so eloquently and wittily about penises. It’s a great thing it’s not just them he can write like that about.

Stephen Fry is some sort of homo universalis: a modern day Leonardo Da Vinci, only much funnier. He’s an actor, a humourist, a TV show preseneter, a walking encyclopedia, an activists for gay rights, a linguist… an intellectual all around. I had no idea he was a writer on top of all that but it comes as no real shock. One can’t resist but nod silently, in contemplation and agreement to Mitchell & Webb’s “who doesn’t want to be like Stephen Fry?”.

Imagine my surprise when I found out that the book I had picked from Politeia, just because it had “Stephen Fry” and “History” written with large playful letters on the cover where it also had a picture of a cat, had to do with WWII and alternate history. I was thrilled! It’s been some time since I last read a 500-page book in less than 10 days. It was a good page-turner, not too memorable or original, but for a lover of good alternate history and for one that wouldn’t turn down well-written science fiction, it was rather good.

I know that the best part of such stories, at least for me, is finding out the little details of the “fictional” worlds that have branched out differently. Therefore, I shall not disclose anything but what’s necessary to whet your appetite: if Hitler had never been born, how can we be sure that the evil he was responsible for would have been equally prevented? Would Rock & Roll have ever been born? Would Orwell live to write 1984? What would the computers look like in 1996 — the year the book was written? Stephen Fry in his signature cerebral style includes real historical tidbits on many personalities of the past as well as science and cultural background that make the thing more believeable. It seems only right that a man with a broad range of interests such as himself would be the perfect candidate to write such a demanding genre as alternate history.

I’ll roll this review up leaving you with this: at one point of the book, the protagonist decides that the format of a novel is not enough to convey the action; the book promptly switches to telling the story by means of being a film script, only to switch back when the heavy action’s suddenly over:“I fade from Hollywood screenplay format to dull old, straight old prose because that’s how it felt. That’s how it always feels in the end.

Exquisite.

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Review: The Dispossessed

The Dispossessed
The Dispossessed by Ursula K. Le Guin

My rating: 5 of 5 stars

A few light years away from Terra, there is a dual system of a planet and a moon, similar to the one back home. The planet, Urras, is a beautiful planet, rich with natural splendour, floral and faunal variety and the kind of society you’d find on Terra: full of social inequalities and a global culture founded on ownership, reflecting almost nothing of its beauty on the lives of the population.

The moon of that planet is Anarres. It has an atmosphere that paints the sky violet but is little more than a large desert with not too much water and only a few species of plants and animals – the most advanced species apart from humans living there are fish. Humans from Urras have settled Anarres 150 years now, in the space-age equivalent of ’30s Catalonia, after a massive social movement in Urras following an important religious/revolutionary figure by the name of Odo forced the Urrasti to make concessions and agree with the revolutionaries to let them put themselves into exile on the moon, founding an anarchist society in the process.

Since then, the Odonians have led quiet, balanced, happy lives on Anarres. Odo’s theories/preachings supported that people are like cells of a single organism, together with the rest of life forming a greater consciousness, and should act the part, leaving ownership and “egoising” behind and focusing on the welfare of the community. Every man’s or woman’s duty in this society is to do the thing they can do and enjoy doing best, similar to a specialised organic cell, so that they should be productive as well as happy and fulfilled in the process: that was her secret of a balanced and healthy society, in tune with its environment and living space. As a sidenote, I’d like to point out here that the same ideology is represented in 1984: that IngSoc is an organism that consists of tiny cells which are the members of the party. It asks a completey different quesion based on that assumption though: “do you die every time you clip your fingernails, Winston?” It uses this train of thought to argue for the survival of the organism even when its individual members have to be eliminated in order to ensure survival of the greater consciousness; quite the opposite of what Odo says, which is that the welfare of the organism depends on individual welfare as well as the co-operation and solidarity between its cells. In both sides of the argument, egoism is repressed, but for completely different reasons.

To return to Odonianism: to allow themselves to have such a lifestyle, people would have to get rid of such distractions as wasteful culture including ownership, money and egoistical behaviour. The experiment worked and the results we catch a glimpse of in The Dispossessed.

People on Anarres share everything, even their homes and their sexual partners — keeping a partner for yourself is regarded as egoistical and equivalent to having them as your property; it is thus disencouraged (as are all possessive pronouns, even when it comes to family relationships) unless it’s for rearing a child. People are free to lead the lives they please as long as they don’t get in the way of their ammars, that is to say their brothers, doing the same.

The protagonist is a guy named Shevek, a name given to him by a computer as is the tradition in Anarres, which ensures the uniqueness of every individual and the uselessness of last names, in turn weakening family ties in favour of a more collective familial sentiment. The reader follows Shevek throughout his life and the problems he has growing up in this society when he is not as sociable as others. You see, he is a scientist, a theoretical physicist with great potential. But what happens when his society, good, balanced and just as it may be, doesn’t allow him to be the best he can be? For games of power exist in Anarres as well, and the person in charge of him in the institute knows the ropes very well; the difference is that the payoff is influence and fame, not money. What should he do: try leaving Anarres for Urras to make his ideas known and accepted there, making the world better in the process, or stay in his society following the norms that forbid most kinds of communication with the outer world?

The answer is given in the first chapter of the book, whence we follow Shevek in his stay in Urras. The book is chronologically mixed up (fittingly, in my opinion, as Shevek’s main goal in his field is to make a unified theory of simulaneous time) and alternately follows Shevek’s backstory in Anarres and his present life in Urras. Both settings were equally satisfying: looking at a foreign anarchist who’s never known anything else coming in contact with “profiteer” (a horrible insult in Pravic) society, is just as interesting as looking at how people have managed to build a fully working bona fide anarchist society in Anarres and the details of their day-to-day existence on the arid planet.

I have divulged this much of the book’s plot for it is not therein that its charm is hidden. I don’t think I’m blurting out spoilers here. There is little mystery or what we’d recognise as development in the story. The feeling it gave me was much less of a thrilling narrative and much more of a beautiful journey in a foreign land. All the other characters apart from Shevek, even perhaps Shevek himself, were there only to guide us through this utopia. The little things the traveller discovers are what make The Dispossessed a zen-like, heart-warming experience: Shevek’s first encounters with animals; his discussion with a Terran embassador; labour allocation in Anarres; the contrast between the placentas being kept after birth in Anarres as part of their zero-waste culture and the huge shopping malls in Urras, which could make any Anarresti physically ill; sex in Urras and how Shevek finds it so foreign and pretentious, and so on.

Furthermore, and I think this is very important, we get a look at the disadvantages of living in an anarchist society as Shevek experiences them; the necessity of sacrificing certain ambitions in favour of the common good, the morality of the question itself, the tendency of people, no matter what political inclination they have and culture they belong to, to grow conservative over time and forget their very own beliefs, growing rigid and rule-abiding rather than flexible and people-friendly, utilitarian rathen than deontological…

“She [Le Guin] invites, as Tolkien does, a total belief”, reads a snippet of a critic on the back-cover of my copy. If a sci-fi novel can make me believe in the existence of a real anarchist society somewhere in the galaxy and by extension in the real possibility of an anarchist society much closer to home, I can’t but heartliy agree with the above snippet.

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Review: In Watermelon Sugar

In Watermelon Sugar
In Watermelon Sugar by Richard Brautigan

My rating: 2 of 5 stars

In Watermelon Sugar is one of those books which you kind of get the charm of but simply can’t like. It’s tiny, with a chapter for every one or two pages, and is very easy to read, yet it took me some six months to finish. I see here on Goodreads I’m in the minority but I can easily see why someone could be taken with its simple prose, dreamy lack of narrative and the accordingly floaty characters who always live for the moment, nurtured in a unique, post-modernist culture.

I could find very little pleasure in this book. It’s not just that it’s so much stuck in the era it was written in; I got sick of trouts and that watermelon sugar stuff of which apparently everything is made in that peculiar world. The easy-going style I found pretentious and forced. What I found the most annoying though were the characters: they were wafer-thin, completely naive and perfectly interchangeable. Again, perhaps, that’s what’s made this book so famous and loved by so many. Obviously, I beg to differ.

I must admit it, though: the idea of having a sun the colour of which changes every day, and when it’s black the world has an extended night with no stars and everything is completely silent, tickles my Extraverted Intuition.

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Review: Replay

Replay
Replay by Ken Grimwood

My rating: 3 of 5 stars

I started replaying Majora’s Mask a few weeks ago and that was enough reason for me to start looking again for books, movies or other games with a similar central idea. Replay appears to be the original work of fiction which examined this particular kind of thought experiment this exhaustively. In Replay, it’s not three days or a single day like in Groundhog Day –which this book directly inspired; it’s 25 years.

The concept sounded very exciting — if you’re fan of this narrative gimmick like I am, of course. 25 years sounds like enough time for anyone to be able to do pretty much anything they want in and live comfortably. What could possibly go wrong with Jeff’s new life, what could possibly produce any kind of drama and make the book interesting? Well, let’s just say that long-term relationships, including families, don’t exactly thrive on such circumstances…

Every replay was a mystery and the possibilities were spreading out in front of me together with Jeff every time he returned to 1963. But I could not always identify with some of his choices or the way he opted to handle some matters, like

Spoiler
meeting his wife on the first replay or him being content with Judy but subsequently forgetting about her almost completely.

I also thought it was sloppy writing having all the sporting events conveniently turn out exactly the same way every time. In what kind of cause-effect comological system do teams of players play exactly the same way, the same horses come first 25 years in 25 years out? This story could have a lot of extra worth as a feast of alternate history but unfortunately it does not deliver anywhere close to what it could, apart fromthat little bit close to the end when

Spoiler
Jeff and Pamela go public. Now that I think about it, I don’t know how much different I would make every replay if I was writing this story. Too much difference between every time and the story loses its main antagonist (the repetition of time itself) and becomes boring, too little, ditto.
I gusss Ken Grimwood (great name for a writer, btw) wanted to have the best of both a clockwork and a quantum theory world.

Another of my qualms:

Spoiler
Pamela wasn’t the most likeable character. I even found her annoying at times, especially closer to the end, when she gets angry at Jeff for approaching her old self (and he rightly protests). It got me thinking, what do people love in another person? Their personality, the memories they have together? Would it ever be possible to compare and contrast the two? Would it be considered cheating going out with a version of your loved one that has no recollection of you, you know everything about them and the newer version catches you red-handed? Interesting questions, interesting questions.

You know what? Now I want to watch Star Sea. It would be my favourite movie ever. I bet I’d also be one of the geeks that liked Continuum.

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Review: The Hitchhiker’s Guide to the Galaxy: The Trilogy of Four

The Hitchhiker's Guide to the Galaxy: The Trilogy of Four
The Hitchhiker’s Guide to the Galaxy: The Trilogy of Four by Douglas Adams

My rating: 4 of 5 stars

I was thinking of starting my review with a quote from The Hitchhiker’s Guide to the Galaxy. It would neatly go to display exactly why the probability of this book’s humour and insight into the ways of the universe actually existing are two to the power of two hundred and twenty-six thousand seven hundred and nine to one against. You see, after coming in contact with the universe that sprung out from the genius that was Douglas Adams, your life gets torn into the period before having read H2G2 and after. It shapes your mind, it makes you think about the world in ways you never thought possible — or it makes you realise that this is exactly the way you used to look at the absurdness of the Universe, only life on this mostly harmless planet has made you think in mostly harmless ways yourself.

It’s such a yummy, well-mixed recipe of dead-pan, random, black, so-funny-because-it’s-so-true humours, all served with hearty amounts of insight you can’t help stuffing your face with the whole pot. There’s also a secret ingredient which talks to your philosophy loving side… It leaves you lighter as you laugh with lines so clever, a writer so talented and situations so bizarre you can hardly believe your eyes. It’s the hash brownie of scifi…

The only breaker for me was the characters as well as the plot. Both of them serve as little more than means to present the jokes. I get the meaning of the story is to be bizarre but at some points it went so overboard I had little idea of what was happening. The characters were also inconsistent and to some point interchangeable. Maybe that was Douglas Adams’s intention? I don’t know. But still, four books later, I have no clear view of the plot or of the characters, they’re blurs more than anything else. Which is a shame, for they were means for some pretty unique situations.

I thought that the first and second book were the best, with the third one having the strongest messages but the most confusing situations and plot. “So Long And Thanks For All The Fish” had its moments, especially between Arthur and Fenchurch but it was generally disappointing. I read however that Adams was forced to push through a deadline for the fourth book and was generally disappointed by the end result himself.

The Trilogy of Four is aptly named for my rating standards: I’m giving it a four overall because it didn’t maintain the stellar quality of the first two books throughout the series. I know I’m not finished. This is only my introduction to this extraordinary and hilarious world of not only The Hitchhikers Guide To The Galaxy but Douglas Adams in general. Now I must play the game, read the rest of the books, see or hear the shows…

And to think I may had not read the books in the end because I hated the film…

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