Review: On the Map: Why the World Looks the Way it Does

On the Map: Why the World Looks the Way it DoesOn the Map: Why the World Looks the Way it Does by Simon Garfield

My rating: 3 of 5 stars

I bought On The Map from Schiphol Airport when it caught Daphne’s eye in an AKO. It looks at cartography from numerous and very different angles: the digital (or tabletop), imaginary map of the contemporary game; the history of cartography from Ptolemy to Eratosthenes and from Blaeu to Mercator -and the fight between different projections and why the one bearing the latter’s name escaped its intended use for navigation and remained revelant in the 21st century; neurology’s attempts of mapping the brain; the medieval spirit of map-making that was vastly more interested in the representation of myth and fable than of actual space; the revolution -and problems- brought about by the introduction of GPS; even a more in-depth look at how men and women look at maps differently -note: not necessarily with the men being flat-out better at reading maps as is commonly believed, it’s a bit more complex than that- and many more.

My main problem with the book was that it was too geared towards Brits: there were just too many chapters on the Ordnance Survey, the creation of the London A-Z, John Snow and how he stopped cholera (don’t laugh!), the story of the London Underground iconic -and first of its kind- stylised chart (okay, that one was interesting) and others that were just too specific for me. Plus, Simon Garfield’s style was somewhat… dry, I’d say. It couldn’t convey the thrill I usually get from looking at maps (or creating them, as is the case with many of my favourite PC games), letting my imagination and abstract mind go crazy in the process. There was some magic lost here.

The chapter on the world’s atlases, on the other hand, had me salivating all over. Just for a taste: Blaue’s Atlas Maior (1665), The World Geo-graphic Atlas (1953) and The State of the World Atlas (1999, with recurring editions – nine to date). Unfortunately, the book’s black & white illustrations, scans and pictures, while indeed helping to keep the price low, didn’t help with making the maps look their best. Thank you Google DuckDuckGo.

To cut a long story -okay, maybe not so long- short, I’d say that the book was okay; a useful reference but not as mind-tickling as I’d have liked it. If you like maps though, don’t let me stop you: by all means give it a flip and see what you can get from it. To carry on with the whole British thing, there’s bound to be something in there that’s your cup of tea.

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