Yes, another Porcupine Tree related post. The craze continues, excuse me while I kiss the quills. Ouch. Nevermind that.
The ‘Tree played in Thessaloniki last night. The setlist was the same as in Athens.
Except instead of The Circle of Manias and The Seance, they played the 15-minute version of Even Less, The Start of Something Beautiful and The Sound of Muzak. AND because they were playing with no Anathema, the ticket cost just a mere €20! ARGH!
OK I’ll just go listen to Buying New Soul to calm down a bit! I’ve got studying to do and only 1 hour or something to do it in!
I’ve been listening to Porcupine Tree since 2004. I wasn’t even 16 years old then. My first contact with them was by listening to The Sky Moves Sideways… It was just right for me then: I was a developing Floyd fan and I could really relate with their sound as it was when they (him? Porcupine Tree was little more than Steven Wilson’s pet band that early) did it, their prog rock side shining through… It didn’t take long for me to listen to In Absentia in all its glory as well, and a few months later their newest album, Deadwing, was released. And then I started actively following them.
It was July 2005 when they played in Lycabettus Theater together with Blackfield and Van Der Graaf Generator, under a full moon. Back then, they had played 9 songs; some of them I didn’t know. I was there with my friend George. Porcupine Tree hadn’t grown enough on me for me to truly have a great time but I liked it nonetheless. I was a fledgling rocker anyhow (I consider myself a fledgling rocker even today).
It took Porcupine Tree another 5 years to re-visit Greece and Athens. Within those years, there’s been great change inside of me. I was 16 back then, I’m 21 today, that’s obvious enough… But I feel that whatever I like about Porcupine Tree grew up with me as well, it matured. The years passed and I loved them more and more. Their music accompanied me through times happy, sad, hard and carefree. It inspired me, mystified me. Fear of a Blank Planet and The Incident came out within those years and I was there to celebrate. These guys’ music even served as my initial common ground with Maaike and anything that relationship, quotes or no, ever symbolised or tought me. To summarise: Within 6 short years, Porcupine Tree developed into my favourite band.
So of course it was a special moment when I learned that they would be coming this year and what a surprise: they’d be playing in Technopolis, one of the coolest places in central Athens. So the months passed and the night came! I left the day before yesterday from Mytilini to be here in Athens on time for the concert and I’m leaving again for my beloved little island town tonight. ~24 hours worth of hanging around ship interiors, studying and reading The Drawing of The Three. I could honestly take twice as much for what I experienced yesterday. And on my own was great. Neni, of course, in one of her usual bouts of derangement decided not to take the opportunity to even come to the concert on her own, let alone with me. Not that I cared in the end: I was able to take it all in with no distractions in my head. What can I say? Her loss. That’s the least I can say.
The ‘Tree gave a fantastic performance. I wish I could be at the railing but I was just half a meter behind! I would have managed to be at the railing if not for a few friends that I met and gave the extra ticket to, but I didn’t mind at the end, we had a good time after the concert! 😉
So! What did they play?
The Setlist:
Occam’s Razor
The Blind House
Great Expectations
Kneel and Disconnect
Drawing the Line
Open Car
Lazarus
Russia on Ice (part 1)
Anesthetize (part 2)
Time Flies
Degree Zero of Liberty
The Séance
Circle of Manias
Normal
Way Out of Here
Sleep Together
Encore:
Stars Die
Blackest Eyes
Trains
Highlights:
Right when they came out and started playing Occam’s Razor, at one of the pauses it seemed as if there was something wrong with Steven’s guitar, which might actually have been the case. But he just made it look as if it was just dramatic idling.It was suspenseful! And then of course came The Blind House.
Open Car in last night’s show had a brand new breakdown! We were all ecstatic, looking at eachother in crazy disbelief. Check it out in this video that, strangely, has not been taken down. 2:10 marks the spot.
Russia on Ice together with Anesthetize? What an inspiration! Steven did a trick where he played his chords by just kind of slapping the strings there. It was impressive!
I didn’t expect to like the 2nd part of The Incident, that is, the songs after Time Flies, but the band managed to give them some kind of energy that was absent on the recording. I liked that…
After they finished their standard setlist with Way Out of Here and SleepTogether, they left the stage. I always find encores funny, how the artists just leave the stage like that. It’s as if they’re saying “Klain” to everyone! 😀 Anyway, they came back of course and Steven said: “We have some of the older songs for you tonight…” He had already mentioned it at the beginning, but it was really happening! And we were all like: “what might they have in store for us tonight?”, you could smell the anticipation in the air. We hoped their guilt for leaving us with no Porcupine Tree for 5 years would be enough for them to do something special, at least they sounded guilty when Steven said “we hope you haven’t forgot us” or something to that extent… And it begun with Stars Die.
And here’s your proof, the best quality I did find… The song took me back to when I had first listened to PT. It was one of the first songs of theirs that I had come to love. And I remember Giorgos, an old friend of mine, telling me he’d told a girl he was hitting on, drunk of course: “Stars die, stars die…” I dedicate this memory to him. 🙂 Incidentally (pun unintended), he was the one that introduced me to Porcupine Tree. Cheers mate. We need to talk more.
And then came Blackest Eyes and Trains (Fanis would have gone wild with this one). I’ll leave the following do the talking. By the way, you can listen to me cheering and making happy noises and remarks at least at 2:07 and 4:14, that ETSI REEEE!! must be me… I’m not sure! I was somewhere around there. Also notice, at the end of the concert, how Gavin does his magic trick (hard to see on the video) and Richard produces a suitable sound effect and Colin took out his video camera and recorded the whole scene, including the wild crowd (that’s us)! Yeah! I can’t imagine the guys just sitting in a couch, watching crowd videos from the tour and making funny comments. I would actually pay money for such a deep behind-the-scenes.
EDIT!: THEY DELETED IT! THESE ASSHOLES! I CAN’T BELIEVE IT… :'( YOU’RE NOT EARNING ANY RESPECT OR FANS FOR THIS, YOU KNOW…
I sung every song at the top of my voice. I headbanged and rocked with my whole body. I got lost in memories and created even better ones at this concert. I had the chance to see them live again and it was awesome. Gavin is the best drummer alive, Richard is a master of atmosphere, I’d like to have Colin’s coolness and bass guitar skills, and Steven is a bare-foot musical genius with incredible live energy and style. John Wesley, their guest guitarist and backing vocalist for the tour, melted girls’ hearts yesterday in addition to playing superbly… Thanks for a great show, at a great place, with great music.
Have a look at their older setlists in Athens, however, and tell me how awesome it must have been to see them play stuff off Lightbulb Sun, for example…
Oh, Anathema also played… Meh… These are the songs they played, they really weren’t anything special in my opinion. Don’t know their old songs, of course, nor did I catch them at their hayday.
EDIT:
Maybe not all that much has changed after all… has it?
Listen(thanks, Grooveshark, for saving the world of music linking after Youtube turned evil!)
Camphor crossed with lace, it is the witching hour
Cinematic but crude
Teasing all my feelings out, you move away
It seems so natural to you
Still the siren climbing up her victory tower
Like there’s something left to prove
I trap the beads of sweat that run between my eyes
And free the fever to move
I’m drawing the line, I’m drawing the line
I’m drawing the line, I draw the line
And I have my pride
I’m taking control, I’m taking control
I’m taking control, I’m taking control
And I save my soul
I’m shutting you out, I’m shutting you out
I’m shutting you out, I’m shutting you out
And I have no doubt
Dreamt the sound of scissors cutting stitches out
Then discarding the used
Recording all my problems onto memory cards
Your compassion unmoved
Unto others what they always do to you
The most twisted of your rules
Distill malaise and photograph the hole it leaves
Running out a copy for you
I’m drawing the line, I’m drawing the line
I’m drawing the line, I draw the line
And I have my pride
I’m taking control, I’m taking control
I’m taking control, I’m taking control
And I save my soul
I’m shutting you out, I’m shutting you out
I’m shutting you out, I’m shutting you out
And I have no doubt
I don’t know whether it’s because I like Porcupine Tree so much that I find their songs so close to my emotions or whether the reverse is happening. Maybe it’s a cyclical thing.
I hope this doesn’t get taken down (like all the otheeers…)
An important period of my life begun with this song… Now it appears to end with his song as well. To some cultures, time is cyclical, not linear. Events repeat themselves, since time does not “go on”, more like, “goes round”.
You move in waves
You never retrace
Your newest craze
Straight out of the face by the bed unread
I’m left behind
Like all the others
Some fall for you
It doesn’t make much difference if they do
She changes every time you look
By summer it was all gone – now she’s moved on
She called you every other day
So savour it it’s all gone – now she’s moved on
So for a while
Everything seemed new
Did we connect?
Or was it all just biding time for you?
Είναι μια αρκετά ευαίσθητη περίοδος για μένα… Κάθομαι κάθε μέρα σπίτι εδώ στην Νέα Σμύρνη, διαβάζοντας Scott Pilgrim, Y: The Last Man και The Gunslinger, γράφοντας στην Νένη (η οποία ήταν στην Καπαδοκία τις προηγούμενες μέρες — καταπληκτικό), συλλογιζόμενος το χτες και το προχτές… Είναι πολύ δύσκολα θέματα τα οποία έχω αποφασίσει να αντιμετωπίσω μέσα στο καλοκαίρι. Δεν νομίζω ότι μπορώ να γράψω για αυτά εδώ, τουλάχιστον, όχι ακόμα. Όλοι οι προηγούμενοι μήνες ήταν δύσκολοι (προσέξτε μόνο την έλλειψη ποστ), με πολλά ταξίδια για τα οποία ποτέ δεν έγραψα, πολύ άγχος το οποίο ποτέ δεν κατέκτησα, πολλές στιγμές με την παρέα τις οποίες δεν ένιωσα, πολλές προσωπικές στιγμές τις οποίες ποτέ δεν ανάλυσα… ούτε εδώ, αλλά και ούτε μέσα μου. Ο χρόνος τρέχει και νιώθω ότι με έχει προσπεράσει εδώ και καιρό. It’s time [pun… unintended (?)] to do some catching up…
Και υπάρχουν και τα games. Για αυτά είναι πάντα πολύ εύκολο να γράψεις. Τολμώ να πω… βολικά εύκολο…
Αυτές τις μέρες θέλω να παίξω το Super Mario Galaxy 2, το οποίο είχε πάρει ο Μάριος εδώ και εβδομάδες, αλλά επειδή το Wii μου ήταν στην Αθήνα (α ναι, τον φιλοξενούσαμε με την Νένη καθόλη την διάρκεια της εξεταστικής! *hi-fives to neni and mario*) είχαμε απομείνει όλοι να κοιτάζουμε το κουτί. Αφού, ως γνωστόν, η παρέα μου απαρτίζεται από Nintendo-haters, δεν υπήρχε άλλο Wii στον χρήσιμο ορίζοντα. Και μετά ο Μάριος έφυγε, εγώ, η Νένη και ο Μουράτ (ένας κουλ τούρκος που γεννήθηκε στην Γερμανία, τον οποίο φιλοξενήσαμε στην Μυτιλήνη και μας συντρόφευσε στο ταξίδι μας μέχρι την Κωσταντινούπολη — ναι, πήγαμε κι εκεί :)) κι έτσι δεν είχα την ευκαιρία να το παίξω. Κι επειδή είμαι πολύ φτωχός, το Xbox μου χάλασε και θέλω να αγοράσω τα StarCraft II και Victoria II τα οποία έρχονται στο άμεσο μέλλον, δεν μπορώ να παίξω το Super Mario Galaxy 2… 🙁
Έτσι λοιπόν, αφού είμαι στην Αθήνα, μόνος, με μπόλικο ελεύθερο χρόνο, αποφάσισα να παίξω το πρώτο SMG. Το είχα αφήσει στα 116 αστέρια. Ε, σήμερα το τελείωσα, μετά από σχεδόν 3 χρόνια. Δεν ένιωσα τίποτα ιδιαίτερο, ίσα-ίσα, θέλω κι άλλο. Μου έκανε εντύπωση όμως ξανά η μουσική… ιδιαίτερα του Gusty Garden Galaxy, που ήταν και το πρώτο τρακ που είχα ακούσει από το παιχνίδι, πριν κυκλοφορήσει, και είχα δει ότι μεγάλο μέρος της μουσικής του παιχνιδιού θα ήταν ενορχηστρωμένη. Δείτε (ακούστε!) το original, τις 8-bit, live και metal παραλλαγές, και σκεφτείτε πόσο η ενορχήστρωση και οι συνθήκες μπορούν να αλλάξουν τι συναίσθημα θα βγάλει ένα κομμάτι. Απερίγραπτο.
Ηχογράφηση που εμφανίζεται στο παιχνίδι (Miyamoto’s getting it on! ^^,)
Live ορχηστρικό:
Metal:
8-bit:
Χτες είδα το Toy Story 3 μαζί με τον Κίρα και την Μυριάνθη. Ήταν εξαιρετικό… Ήμουν από μικρός φαν της σειράς (είχα το πρώτο σε VHS, το είχα πάρει από την Αυστραλία!), και ήταν ένα επάξιο τελευταίο κεφάλαιο στην ιστορία, αντιμετωπίζοντας πολύ ώριμα το θέμα το οποίο πραγματευόταν και έτσι με άγγιξε σε ένα σημείο που ήδη είναι πολύ ευαίσθητο αυτές τις μέρες: πώς ο χρόνος κυλά και ότι μας συντρόφευε πριν χρόνια δεν είναι πια το ίδιο, όμως ούτε κι εμείς είμαστε οι ίδιοι… Ότι ήταν δικό μας κάποτε μπορεί να μας εκπλήσει… Τελικα, όμως, τι είναι πιο αυθεντικό, και σύμφωνα με τι είναι σωστότερο να πορεύεται κανείς; Αυτό μπορεί να είναι το recurring theme του φετινού καλοκαίριου. Κι ακόμα δεν έχω δει τίποτα, είμαι σίγουρος…
[part 0 γιατί δεν ξέρω αν θα έχει συνέχεια… αν ναι, αυτός είναι ο πρόλογος…]
It was a special moment when I heard the radio announcer on 105.5fm I was listening to with Neni utter the magic words… “Porcupine Tree will be playing together with Anathema in Gazi Technopolis [incredible selection of venue!] on September 9th. Pre-ordering of tickets has begun”. It was an almost… orgasmic experience.
That was about 3 weeks ago. Back then, I had no money and could do nothing about it. The minute I got my monthly allowance though, I immediately ordered one ticket for me and one for Neni (it was her nameday present… I was a bad boyfriend and hadn’t bought anything for her. I think this little gift did nicely!), so we, as ticket numbers 157/158, will know where we’re going to be come September 9th. It’s going to be exam period, we know… But come now, honestly, what’s more important?
Good chance to get to know Anathema’s music as well…
We’ll be fighting in the streets
With our children at our feet
And the morals that they worship will be gone
And the men who spurred us on
Sit in judgment of all wrong
They decide and the shotgun sings the song
I’ll tip my hat to the new constitution
Take a bow for the new revolution
Smile and grin at the change all around me
Pick up my guitar and play
Just like yesterday
And I’ll get on my knees and pray
We don’t get fooled again
Don’t get fooled again
Change it had to come
We knew it all along
We were liberated from the fall that’s all
But the world looks just the same
And history ain’t changed
‘Cause the banners, they all flown in the last war
I’ll tip my hat to the new constitution
Take a bow for the new revolution
Smile and grin at the change all around me
Pick up my guitar and play
Just like yesterday
And I’ll get on my knees and pray
We don’t get fooled again
Don’t get fooled again
No, no!
I’ll move myself and my family aside
If we happen to be left half alive
I’ll get all my papers and smile at the sky
For I know that the hypnotized never lie
Do ya?
There’s nothing in the street
Looks any different to me
And the slogans are replaced, by-the-bye
And the parting on the left
Is now the parting on the right
And the beards have all grown longer overnight
I’ll tip my hat to the new constitution
Take a bow for the new revolution
Smile and grin at the change all around me
Pick up my guitar and play
Just like yesterday
Then I’ll get on my knees and pray
We don’t get fooled again
Don’t get fooled again
No, no!
You claim I don’t know you, but I know you well
I read in those ash eyes we’ve been through hell
I’ve walked with the weakest just to feel strong
You’ve given your body just to belong
Let’s burn together
Let’s burn together
This pain will never end
These scars will never mend
I taste your sorrow and you taste my pain
Drawn to each other for every stain
Licking the layers of soot from your skin
Your tears work my crust to let yourself in
Touching you harder
Touching you harder now
As we walk through the ashes
I whisper your name
A taste of pain to cling to
As we walk through the ashes
You whisper my name
Who’s the one with the sickest mind…
now?
This pain will never end
Our scars will never mend
Cleansing sweat
We are just using each other
Too depraved to stay alive
But too young to die
And we hurt
Thus we hurt
Scrubbing it harder
Too late to back out now
Scrubbing it even harder
As these two broken barren desolate disordered words collide
As we walk through the ashes
I whisper your name
A taste of pain to cling to
As we walk through the ashes
You whisper my name
Who’s the one with the sickest mind…
now?
This pain will never end
These scars will never mend
Damn this dirty bed
Damn this dirty head
… but what makes this song sad? Its lyrics? I guess. But think again, because “It’s all in the mind”. A simple change of perspective, just looking at things differently, a paradigm shift of sorts, might give you something like this:
Volcanic ash makes some of the most fertile soil in the world.
Riverside… I’ve begun liking them more and more. Not that I didn’t like them mindja, they’re, just you know, growing on me. The opening melody is almost haunting in its dreaminess…The lyrics are nice but they don’t reflect what I’m feeling right now. The title however, is nothing short than cool. Second Life Syndrome? Chills!
Part Two I couldn’t care to include. It pays being a fan of music in which a typical track is more often than not incompatible with YouTube’s opinion on how long a video should be.
