Review: Awareness

AwarenessAwareness by Anthony de Mello

My rating: 4 of 5 stars

“Thinking you can change yourself by changing your situation or your surroundings is like thinking you can change your handwriting by using a different pen.” (paraphrased)

I want to be more aware in my life. That’s why I had been looking for books on the matter a few months ago when I found this one. I ordered it from World of Books and for the first time they disappointed me: the book never arrived at my doorstep. Thirsty for thought-provoking material and wisdom shared aplenty, I looked for the book online and lo and behold, there it was in audiobook form.

To be exact, I didn’t find it exactly in audiobook form. In fact, the recordings I found were from some seminar in which Anthony de Mello presumably delivered the contents of this book to a crowd of wisdom-thirsty individuals such as myself over a period of a few days. I don’t know whether or not me listening to the recording of that seminar could count as actually reading the book, but for now it’ll have to do. See? I’m cheating and probably no-one will read this far to actually notice!

All that cleared up and taken out of the way, I most certainly did enjoy listening to Anthony de Mello’s lectures and his style. Of course, most of his teachings about the uselessness of language, the subjectivity of reality, the difference between the “I” and the “me”, the inherent selfishness of what we commonly refer to as love or falling in love etc. wasn’t anything new to me. In fact a lot of what I heard are deeply held beliefs of mine. But a lot of other things he mentioned are matters I will want to revisit, for I think they are as timely and deep as ever and a single listen cannot possibly contain their gravity, moreso because, as with all the great teachers, De Mello’s teachings and the new mentality he proposes are intoxicating in their truthfullness, but alas, one cannot handle and take in this much truth all at once. At any rate I believe he was right in warning the listener about the dangers of substituting one brainwash for another: the point is to always be aware and to forget about existing concepts. What would the difference between “enlightenment” and dogma be otherwise?

I can easily see myself revisiting this countless of times at random intervals in my life. It does feel like a flow of precious advice and living the way De Mello suggests feels deep within me like a precious ideal one would do well to strive for – or not strive for, since there should be no effort involved! I’m giving it 4 stars instead of 5 because it wasn’t anything groundbreaking for me – “just” a collection of profound, valuable insight.

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Review: Nine Princes in Amber by Roger Zelazny

Nine Princes in Amber (Amber Chronicles, #1)Nine Princes in Amber by Roger Zelazny

My rating: 4 of 5 stars

I discovered Roger Zelazny from Ran Prieur’s recommended books list (scroll all the way to the bottom). Basically, our Earth and reality is one of many, one of countless Shadow worlds. The one true world is Amber, and there are 9 princes who all claim the throne to it. If this smells like Game of Thrones with a hearty dose of The Dark Tower to you, you have an excellent nose.

The story was simple and straightforward, without too many descriptions which would have made me turn the pages in frustration as I had done with The Lord of the Rings. The characters aren’t very well fleshed out, apart from Corwin (the protagoinst), but honestly I didn’t really care: the action and the scope were so grand and the plot development centered around Corwin, with his own very lucid and personalable narration, so engaging from the very first pages to the very last, that I didn’t miss not finding out too much about the rest of the princes. The problem is that the plot isn’t limited to those very last pages. The first book was a good introduction to the world of Amber and Corwin’s story, the internal plot was resolved, a round and bubbly sigh of optimism was left, but the huge events the book basically hints at are barely even put into motion. I suppose that’s a problem with any series in any medium.

Perhaps the thing I liked the most about Zelazny’s writing was his edge, his cheekiness and willingness to play around with expectations. If the rest of the books set in Amber are in a similar style, I’m in for a treat!

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Review: The Art of Looking Sideways by Alan Fletcher

The Art of Looking SidewaysThe Art of Looking Sideways by Alan Fletcher

My rating: 5 of 5 stars

 

Above: a photograph of my own copy of The Art of Looking Sideways.

This book is a valuable collection of experiences, quotes, designer-gasms, observations and insights into life, the aesthetic, artistic and general human experience, by late master graphic designer Alan Fletcher.

I got it more than a year ago like new (yes, it took me this long to go through its 1000+ pages reading/enjoying on and off) for around €30. Most of that must have been the shipping costs: when it arrived I really couldn’t believe the sheer mass of it. I tried to scan some of it, once; the results: my current profile picture, and a scanner which since then has been occassionally malfunctioning, the book’s weight having left a permanent scar in its life of digitisation. This is actually the only reason I haven’t been lugging it around more often, showing it to each and every one of my friends — artistically inclined or no.

This book is so thick with inspiration it’s almost impossible to deal with: you can’t open it randomly to catch the creative spark (supposedly Alan Fletcher’s point in making it) without wanting to read it all. Though I suppose this mindless and distracted consumption is a personal demon I have to deal with!

Anyway. I’ll make this short and to the point: this treasure chest of a book is one of my most prized and proud possessions — and believe you me, as a rule I don’t take particular pride anymore in owning things.

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Review: The Umbrella Academy, Vol. 1: Apocalypse Suite by Gerard Way

The Umbrella Academy, Vol. 1: Apocalypse SuiteThe Umbrella Academy, Vol. 1: Apocalypse Suite by Gerard Way

My rating: 4 of 5 stars

Yet another comicbook tome lent to me by my girlfriend Daphne. “This one’s special”, she told me handing it over to me, her words a cross between a teaser and a warning. She was right: superheroes with weird but cool powers, random humour and clever details, awesome panel and page transitions that made me go “woooah, that was brave”, a tongue-in-cheekness in every little thing that sat quite well with me. This is not really my genre of preference, but after The Umbrella Academy I had to ask myself why not. Looking forward to reading Part Two already.

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Review: Koko Be Good by Jen Wang

Koko Be GoodKoko Be Good by Jen Wang

My rating: 3 of 5 stars

Another addition to my Daphne-induced comic experiences, one more tasty slice of life from her rich suggestion list. I liked the art, enjoyed the story but I don’t feel as if it left me with something valuable. Koko was annoying and I wasn’t interested in what she was doing at all, apart from giving me some ideas for being more spontaneous myself; I sympathised much more with Jon and the decisions he had to make in life, i.e, whether he would follow what he thought would be a step forward (going with his long-distance girlfriend to Peru for humanitarian work) or do what he had convinced himself was beneath him but deep down (?) would rather be doing.

Enjoyable, quick summer read that took me places; nothing too earthshaking – thank goodness not everything is earthshaking.

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Review: Clover Omnibus

Clover Omnibus
Clover Omnibus by CLAMP

My rating: 3 of 5 stars

I read the other reviews on Goodreads before setting out to write this (as I always do for good or ill) and it seems that we only got 2/3 of what Clover was originally meant to be. Maybe that’s why it’s nonsensical. The “written word” part of it is just that: incoherent. The lyrics from that song, in 110% cliché anime style (i.e generic song that has the words love, happiness, forever, together, alone, tears and heart mixed, sautéed in soy sauce and served on the spot) repeated ad nauseam was quite annoying and the plot in general didn’t exist at all. Yes, I’ve concluded that it can’t be my fault that almost all anime/manga plots fly right over my head. This one in particular… wow. It was so irrelevant or so it seemed, that I think it would have been better if I had “read” it in Japanese (or whatever other verb you can use to describe at least trying to read something that’s in a foreign language and you by default only pay attention to the shapes of the letters/characters/kana).

The reason I’m stressing this of course is that this tome is just beautiful and I can imagine the aesthetics take a hit when the kana and kanji are forced to be replaced by latin characters. The steampunk/clockwork angel & sparrow thing worked well and was pretty to look at on the experimentally laid out pages that flow in lightning speeds. While I enjoyed the visual feast, I must confess that this style in the end is just not for me.

Even like that, I ended up liking it and it’s probably because some parts reminded me very strongly of my girlfriend who’s the one who came to my house one day and out of the blue just left Clover on my desk. If it wasn’t for her, I would have probably never touched it. But, sentimental a critic as I am, my feelings governed these keystrokes. I feel strangely complete writing this.

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Review: We All Need Heroes: Stories of the Brave and Foolish by Simon Zingerman

We All Need Heroes: Stories of the Brave and FoolishWe All Need Heroes: Stories of the Brave and Foolish by Simon Zingerman

My rating: 4 of 5 stars

One day, maybe a month or so ago, Simon Zingerman contacted me here on Goodreads and asked me to review a .pdf edition of his new book in exchange for a paperback copy of it. I had a look at it and it seemed interesting so I accepted.

In hindsight, his sending the book to me for free was a purposeful move: We All Need Heroes is basically a very optimistic collection of around 120 stories of people who made it or became famous either through extreme luck, fantastic ideas, dedication to their beliefs or pure, simple “stupidity” (quoting because their supposed stupidity ultimately worked to their advantage). Some of these accounts are exactly about how you can create buzz about your work in the very same “guerilla” way the author contacted me and many other users of Goodreads also. Apart from that, the stories themselves were in general quite interesting and my picks -the ones I felt could be significant for me personally- made up a good chunk of the book. That said, I can see how the next time I read it my favourites will have changed along with me, just like Simon Zingerman predicts -and even hopes- will happen in his introduction to the book.

The work unfortunately has its little problems. I didn’t particularly care for the “happy ending”, “risky/illegal”, “disturbed/crazy” etc. 0-100% statistics at the bottom of every story. By what standard is one story a 50% and another an 80%? The assessment would make sense if there was a “Top 10 happiest endings” chart at the end of the book or something similar, but there was nothing of the sort. After the first few pages, I started hungrily devouring one story after another, skipping these gauges entirely. The keywords under the title of each story were met with the same fate. Zingerman’s graphic design touches seem to have worked well in many aspects but not so much in others.

But I won’t be too critical of the details. This book has given me food for thought and inspiration and I will be sure to read it again, this time taking notes.

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Review: Το Λαβωμένο Νερό

Το Λαβωμένο ΝερόΤο Λαβωμένο Νερό by Cristina Cuadra García

My rating: 2 of 5 stars

To ξέθαψα από τη βιβλιοθήκη μου. Ούτε που έχω ιδέα πώς έπεσε στα χέρια μου αρχικά. Το όλο εγχείρημα πρόκειται για μια παρουσίαση του πώς λειτουργεί το Ευρωπαϊκό Κοινοβούλιο και η ΕΕ σε θεσμικό επίπεδο μέ πρωταγωνιστές ευρωβουλευτές, βοηθούς τους, εταιρείες κτλ.

Το σχέδιο δεν είναι άσχημο αλλά η ιστορία (ακόμα κι αν όλο μαζί είναι άντε 32 σελίδες!) είναι τελείως αδιάφορη και δεν εκπληρώνει τον σκοπό της, δηλαδή να κάνει τους ευρωπαϊκούς θεσμούς να φαίνονται λιγότερο ανούσια περίπλοκοι ή τρομερά βαρετοί και γραφειοκρατικοί.

Βρήκα ενδιαφέρον πώς, τόσο το 2003 που εκδόθηκε το Λαβωμένο Νερό όσο και μια δεκαετία μετά, το 2013, η ιδιωτικοποίηση του νερού και η εκμετάλλευση του από διάφορες επιτήδειες εταιρείες παραμένει κεντρικό πολιτικό ζήτημα. Επίσης ενδιαφέρον για μένα προσωπικά η απεικόνιση των διάφορων αιθουσών του κτιρίου του κοινοβουλίου στις Βρυξέλλες (υπάρχει και δεύτερο, στο Στρασβούργο, στο οποίο μεταβαίνουν με έξοδα της ΕΕ όλοι οι ευρωβουλευτές για τις συνεδριάσεις τους τακτικότατα — ουδέν σχόλιον), τις οποίες επισκέφτηκα πρόσφατα και έτσι μπορούσαν να φανταστώ πιο ζωντανά την εξέλιξη της δράσης που διάβαζα.

Ειρωνικό και τραγικό μαζί πόσο έχουν αλλάξει οι φιλοδοξίες και η κατάσταση της Ένωσης 10 χρόνια μετά. Όλα προσχεδιασμένα από μια μεγάλη συνωμοσία; Μια ένωση η οποία ποτέ δεν είχε δημοκρατικές βλέψεις αλλά οι θεσμοί που προέκυψαν ήταν ένα ευτυχές ατύχημα (looking at you, Υοuth In Action, Erasmus κτλ); Μια ελίτ που καπηλέυεται μια «δημοκρατία» που από την υπερβολική της αδράνεια δεν μπορεί να κάνει τίποτα για να αποτρέψει την πρώτη; Μεγάλες ερωτήσεις για τις οποίες οι απαντήσεις μου είναι απλά ανεπαρκείς.

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Review: The Rebel Sell: Why the Culture Can’t Be Jammed

The Rebel Sell: Why the Culture Can't Be JammedThe Rebel Sell: Why the Culture Can’t Be Jammed by Joseph Heath

My rating: 3 of 5 stars

This one is a toughy. Few other times have I been this undecided on a book before reviewing it.

While reading The Rebel Sell, I was nodding in agreement with many of the arguments Joseph Heath and Andrew Potter posed, such as the proposition that mass consumerism is unavoidable because it is recognition, distinction and status that people find when they consume, and while on the whole if theoretically no-one bought anything all would be well and good, everyone has to keep consuming just because everyone else keeps doing so. It is an instance of the prisoner’s dilemma, a central part of their point, used many times in the book and presented convincingly. It’s an interesting concept applicable to politics, sociology and other topics.

Furthermore, their analysis of taste in art and culture and how it is another form of projecting one’s own social class was also profound, as well as their take on what it means to be cool and how, in their view, that is the very thing that drives consumerism: someone has to be the Joneses, after all, and it is the cool people who become the Joneses, whether they realise/like it or not. There are many other such bits and pieces I found agreeable and fun to read, such as the distinction between dissent and deviance, something with which I can completely relate. If you wouldn’t like a society in which everyone acts a certain way and not just you, it’s probably deviance and not dissent, like the stupid graffiti tags, not paying taxes or avoiding standing in queue. It’s a healthy observation.

But. As convincing as I found the points above, as well as many others which did, at times, make the book a bit chaotic in its argumentation, I couldn’t help but feel the smugness of Mr. Heath and Mr. Potter seep through the pages. They ridicule the counterculture, often repeating themselves and failing to spot the benefits society has gained from it in the 50 years since it first emerged, at least in the form they describe. They cannot find any merit in any kind of fringe social movement. It’s like they’re trying to “get over” their own countercultural past by dissecting it, as if they’re trying to prove how wrong and misled their own mocking peers had been -as my friend who lent me the book accurately commented. It’s like they’re saying “look how grown up and rational we are now! Just try and grow up like we did, you pathetic self-important tree huggers/hipsters/anarchists/punks/Naomi Klein.”

Nevertheless, I realise that the implications of what is presented within the book are vast and indeed might be playing an important political role in the fragmentation of the left and its members trying to “out-radicalise” oneanother. The sad result is that it is a weaker force which is left to oppose the all-consuming capitalist market. When all has to do with individuality and how different everyone can and should be in order to “stick it to The Man”, there can of course be very little emphasis on how people can cooperate and find the similarities and common goals between them. The problem is that the same market which the writers are defending -at least in principle- and its state today, 10 years after the writing of the book, has only made itself horrifyingly stronger against legislative and institutional reform. The writers greatly underestimate the current relationship between corporations and governments and how difficult it is to change from within. The world is practically ruled by corporations and to question that rivals the counterculture in its supposed naiveté.

Comfortably, the above declaration would be enough for the writers to smirk at me and include me in the already-accounted-for group of wannabe radical counterculturals who can’t face reality. The whole point of the book is putting cases such as me, if just a hint less self-conscious, in their rightful place; just another individualistic rebel who lazily rejects all small reforms in favour of a total paradigm shift which will most probably never come, at least not in the form anybody expects. Maybe I am such a naive, sentimental being as to fall right into this argumentative trap, but I feel, like so many others ridiculed in the book, that there just is something wrong at a much deeper level with the world than what can be merely altered through laws and regulations.

Enough. I could go on. As someone whose rough ideology is directly challenged by the book, I feel I have to excuse myself and prove how “they don’t get it” in quite a thorough and wordy manner. I’m not sure I like this reacion of mine but I acknowledge it. Suffice it to say that this shows that the book is at least worth reading. For good or bad, it has intensified my great ideological confusion and has made me think and question myself – a favourite hobby of mine, that last part. I recognise its value and its propositions even if -I suppose I should say ‘thankfully’- at a sentimental level I just can’t agree. I suggest that you read it and see what impact it has on you too.

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Review: Whatever You Think, Think the Opposite

Whatever You Think, Think the OppositeWhatever You Think, Think the Opposite by Paul Arden

My rating: 4 of 5 stars

This book is so short you can throw in a re-read every time you’re about to lend it out and it gets better every time because every time you’re just a bit older and different parts stay with you in new ways. I think I’ve already read it 4 times in random the years I’ve owned it just by picking it up and putting it down 30 minutes later having read it all and thinking about it anew. I like thinking outside the box in extreme ways, if not practically in my life at least in theory (figures: why else would I enjoy books such as this?) and Whatever You Think, Think the Opposite encourages that side of my character. It mostly comprises stories of bad decisions that in the long run proved to be good; of people finding out that the secret is letting yourself risk and tread new water no matter the (illusory) danger, ultimately reaping all the rewards. In the end, being different from others also means deciding irrationally, for everyone else tries to be rational and make decisions like that too.

Of course I should say that the ultimate capitalist dream is to be a unique, bleeding-edge entepreneur and Paul Arden seems to be preaching to precisely that choir in particular. His work has a “live and let die” vibe and the fact that a lot of his stories of success, creativity and “bad” decisions have to do with advertising, “making it” and getting rich, turns me off a bit. At the very least, it’s a different kind of inspiration from what would really get me going, what would really speak to my core. Still, it’s advice you can presumably use in many different aspects of life.

Amidst all this you can certainly be forgiven if you don’t really notice the top-notch graphic design that makes Arden’s words even sparklier and more alluring. The less is being said and the better its presentation, the more mysteriously seductive what’s being said is. It’s not just the power of the words alone, there are other forces at play here… Scary thought if you’re not willing to admit that humans are mainly weak, malleabe and inconsistent beings.

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