Cool Online Photo Manipulation

A few links for some great online image manipulation sites. Things have sure gone far.

Pixlr: Basically, a free, online Photoshop. Great, very robust.

Pixlr-o-matic: Kind of like Instagram, just not tied to a mobile device and with more personality and variety, too. Facebook app.

Poladroid: Make Polaroid pictures out of any kind of pictures. Genius. You can even shake the Polaroids to make them come out quicker!

 

Quotes ~ Αποφθέγματα IV

“What is a facebook? A miserable pile of…”

“Τι είναι ένα facebook; Ένας άθλιος σωρός από…”

Dracula, Castlevania: Symphony of the Night, together with us!

Add your own end to the above quote in the comments.
Προσθέστε το δικό σας τέλος στο παραπάνω απόφθεγμα στα σχόλια!

 ^^]

Obi-Wan Kenobi Is Dead, Vader Says

CORUSCANT — Obi-Wan Kenobi, the mastermind of some of the most devastating attacks on the Galactic Empire and the most hunted man in the galaxy, was killed in a firefight with Imperial forces near Alderaan, Darth Vader announced on Sunday.

(read the rest here! This is one of the best things I’ve seen in a while!)

Cloudy With A Chance Of Meatballs

This is one of the few times that watching a movie has actually made me want to write a thing or two here.

I was prejudiced against “Cloudy with a Chance of Meatballs”. Ever since Mario told me of this “movie that has food falling from the sky”, I was very, very skeptical. I thought this movie would be a symbol of everything that’s wrong in our world. What a society creates to show to and entertain its children with, speaks wonders about what holds this society together. I thought watching this film would attack me with great and ugly revelations of this kind.

I decided to give this one a spin to see how right my prediction might have been (I rented it from Movieland. Hadn’t rented a movie for watching at home for months). Turns out I was both right and wrong.

This film is all about food falling down from the sky. Flint uses his invention not to help, let’s say, the poor places on Earth that have no food — not even his hometown’s famed sardines — but to raise the bar of his own community’s affluence, to feed every American on his island, that is to say, feed people hungry for all kinds of junk food. I saw lots of burgers, spaghetti, ice cream, eggs, hot dogs, meat, candy and similar examples of culinary exquisiteness but of course only little fruit or salad. You know, things that you can actually eat a lot of without getting sick or otherworldly fat. Things our parents always force us to eat to the point of torture only for us to discover the pleasures thereof with a minor delay of ca. 20 years.

All this I expected. I expected this movie to be all about junk food. But what I didn’t expect was the movie to actually be funny and good! It had excellent comedic timing, very smart one-liners, incredible visual gags, it was chock-full of double entendres (jokes the kiddies understand but with an extra layer of joke on top only the “grown-ups” will catch *wink*). It was, astonishingly for me, one of the best animated comedies I’ve seen, and not one I would imagine myself to have enjoyed 12 or 15 years ago. What’s even more interesting was that the whole “food falls from the sky” thing was a big double entendre all in itself. It contained a hidden message. The way the movie was presented made the “food falling from the sky” thing funny in film terms but totally unacceptable and irrational, dangerous in “real terms”. In other words, the film did criticise itself and the modern behaviours that were its source content but it only did so subtly and indirectly; brilliantly. The way people attack the food like maniacs, this crazy gleam in their eye; the way the mayor never seems to have had enough and keeps eating in his delusional binge… lots of tiny hints and easily missable jokes buried in there that get the point across. The way these people eat, munch, gobble up, what a part of their lives the rain becomes… This display of total obsession with food is in itself a comment, an attack to the culture that gave birth to the mere concept of this movie.

I expected others to had made the same observations as me, so I quickly hit IMDB to check up with other people’s opinions about the movie and see what their take was. I was shocked to discover that not only most people hadn’t noticed a single thing wrong about the whole film, they were insulting people that had actually made the same connections as me.

http://www.imdb.com/title/tt0844471/board/

Alright check it out:
The town in the film is a characterization of America.

Science has allowed us to create an abundance of food (the water-food machine) but instead of using it to help the people who are starving we just use it to glorify our state, and over-eat.

Over the years portion sizes have gotten bigger and bigger (the “mutations”) as have americans waistlines (the mayor)

The food industry (the water-food machine in the atmosphere) has grown so powerful that it’s gotten out of hand and is defending itself against change, and elimination. But it’s become a monster and our food has begun to kill us because it’s no longer really food, but a strange “mutation” of it.

I found this pretty obvious, but no one else mentioned it.

Did you guys pick up on this?

The thread had few replies but mostly in agreement. However, one of the replies (the final one, to be exact), went like this:

Wow… english classes have really messed with peoples minds and caused them to try and find a hidden meaning behind everything. I believe you make a good point, but I think it was just a kids movie that was supposed to just entertain.

Most of the replies in this and whatever similar threads inviting people for a deeper discussion there was, were in a similar dismissive tone. People were saying that this film was pure entertainment! And just for kids! They were behaving to this film as if it was as I thought it would be before I had watched it: a cheap film for cheap laughs that pays no respect to the importance and gravity of its subject matter. But not as if not paying respect to food was a bad thing. “Man, it’s just food, chill”. Most people were really, honestly looking at it like that! I was appalled. Have a look at this thread of the same board as well (Meat is Murder). The level of intelligence shown within hits rock-bottom. Typical of IMDB boards, you might say. But in the end, IMDB boards are the minimum common denominator; if it’s discussed there, you could expect to have a similar discussion anywhere. IMDB boards capture the American zeitgeist perfectly. And it’s a sad, sad sight to behold.

If you’re wondering what the hell I might be talking about, a single sentence might be able to sum it up: Just imagine how people might have reacted to this movie during WWII. Or however entertaining a child (supposedly within this movie’s target group) dying of starvation might have found it.

Me after I visited the IMDB boards for "Cloudy..."

 

This story taught me a few things concerning over- and underestimation. I’ll let you figure out the rest. And while you’re at it, watch Cloudy with a Chance of Meatballs, have a great laugh and maybe we can start our own discussion in the comments!

OK, perhaps THAT’s overestimating.

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Game 2.0: In the land of Hyrule, there echoes a legend… 25 χρόνια Zelda

In the land of Hyrule, there echoes a legend.
A legend held dearly by the Royal Family that tells of a boy…

A boy who, after battling evil and saving Hyrule,
crept away from that land that had made him a legend…

Done with the battles he once waged across time, he embarked on a journey. A secret and personal journey…

A journey in search of a beloved and invaluable friend.

A friend with whom he parted ways when he finally fulfilled his heroic destiny and took his place among legends…

(Majora’s Mask Prologue, 2000)

(σ.σ: γέλαγα κάτω απ’τα μουστάκια μου με το “Add Link” του WordPress XD)


30 Sleeps — Open Source Personal Development

I came across a very, very interesting blog a few days ago. I’ve been reading a lot of articles by Brad Bollenbach, owner and creator of 30 Sleeps, and they’ve made me think. The key idea (and inspiration for the title) is that we can make any change in our life, from the smallest to the biggest, within 30 days of putting our minds to it. 30 days and 30 nights, according to Brad, should be enough for us to know if what we’re trying to do is a good idea and it’s just enough to see some progress and some real results. He says it better than I ever would. Here are some of the articles I’ve read already. Beware: danger of addiction! Click on the links at your own risk. I’m putting them here to rid the weight off my Firefox, too. I’ve had them open in tens of different tabs for days! ^^P

Radical Honesty
Social Skydiving: The Art of Talking to Strangers
The Joy of Living Dangerously
How to Read a Book
Achieving the Impossible
Understanding Beliefs
Original Ideas
How to Not Care What Other People Think
Social Polarity
5 Energy Vampires and How to Get Rid of Them
Live Your Own Adventure
How to Just Be Yourself
Keeping It Simple
Embracing Rejection
Self-Respect
How to Meet Women Without Really Trying: An Example

Browse around and I’m sure you’ll find more of your interest!

Tο απόλυτο smilie

Με το τελευταίο γράμμα της αλφάβητου, ή κοσμιότερα, έναν κώλο, μπορείς να αναπαραστήσεις είτε στόμα που φωνάζει, είτε φιλάκι. Είναι smilie μπαλαντέρ, που εκφράζει καλύτερα από λέξεις την γλώσσα που χρησιμοποιείς σε μια σχέση αγάπης και μίσους…Μπορείτε και να το χρησιμοποιήσετε και να αφήσετε τον άλλο να καταλάβει ό,τι προτιμά, και μέσω της προβολής που σίγουρα θα κάνει, να καταλάβετε τι σκέφτεται για εσάς! τ^^

Παραλλαγές:

}:ω, 8ώ (ο τόνος χρησιμεύει ως σέξι ελιά — λέμε τώρα — ή σάλια/γλώσσα που εκτοξεύονται από το στόμα).

Insurgentes And Our Relationship With Music

I just watched Insurgentes, a film directed by none other than Lasse Hoile on the making of Steven Wilson’s 2009 debut solo album of the same name and the state of the music industry today, or as Steven puts its, what it’s like to be a musician in the 21st century.

Lasse Hoile is known for directing the videos for Porcupine Tree (including others groups), as well as being behind the band’s artwork, photographs etc, at least since In Absentia I believe. Check out his site, good stuff. He — as well as Steven, for that matter — likes David Lynch, this much is evident I suppose and might even be a bit of an understatement.

I haven’t watched any Lynch films yet…

The film’s website: http://www.insurgentesfilm.com

Apart from the typical Lasse experimentation and playing with some of the album’s artwork material, only this time with video, what interested me more in Insurgentes was Steven’s narration of his past. He visited his old school almost 30 years later, let us in on his musical beginnings and foundations, re-visited some of his very first equipment his father had made for him.

What I found more striking was how Steven began listening to music. In the movie he shares with us that he used to be able to only buy one record every month and that only with his pocket money. Consequently, the decision which album to buy next was a very important one. Back then, Steven says, music was the number one way the younger generation could differentiate itself from the parents. So it was pretty important business indeed.

It all boils down to the comparison between contemporary download culture and what things were like 30 years ago. Back then, a new album was an event. Listeners of the album had all the time to study the cover and the artwork, feel the music and be influenced by it. They would take their time to examine the music and see through all its different levels. Listening to an album properly was a ritual all by itself. Surprisingly, although I don’t have any aural experience of my own to be able to confirm this, it is said that a well mixed vinyl recording playing on serious equipment blows away standard MP3 quality sound any day. Like Steven and another guy in the film put it, kids of today (including my generation and me, obviously) grew up and are growing up with music of shit sound quality which is considered by almost everyone as acceptable at the very least.

Steven Wilson on music today, taken from the Insurgentes film from Kscope on Vimeo.

It is mentioned in the movie that the internet has helped musicians by making it easier for them to come into direct contact with their fans, thus doing away with the industry as a medium. In return, music has lost its value: we all download complete discographies of bands, only to decide if we like them and if they’re worth keeping after listening to a few of their tracks once or twice at best. This has got to the point that people don’t think music is worth spending money for or paying any kind of deeper and more focused attention to. Today, the music itself seems to be of little importance: it’s down to who knows of the most bands –bonus points if they’re indie–, who has the broadest possible musical taste, who owns the most records or has been to the most concerts. Maximalistic: just like any other cultural aspect of today, including, if not especially, the entire spectrum of popular media.

Mr. Wilson forced me to think, just like he’s done before... How many times have I really sat down to enjoy some music, put some thought into it, focused on it, closed my eyes, opened my ears and put my mind on overdrive? I do have a problem with intense focusing and am easily distractable so that might be a problem there. In any case, I realised that I haven’t done so in a long, long time, if I have ever properly done it at all. There is a general habit of just using music as an ambient sound carpet, having it play in the background while people are doing whatever: washing the dishes, cooking, having sex, idling, studying, walking or travelling (in the film Wilson destroys iPods in a number of fun ways, showing his real feelings for them!)… Some people never turn off their music at all! I tried doing it too: I found myself gradually hearing less and less of the music, a far cry from actually listening to it. At some point, I stopped paying any attention to it all; it was just melodic noise. I experienced a kind of desensitization, not unlike one that follows a long relationship.

Using music as ambience is, of course, perfectly OK. Nothing wrong with it. It’s not like they didn’t do it back in the ’70s. But that is as much listening to as glancing at a movie with the company of especially talkative friends is watching it, or as skimming a book as quickly as you can, skipping sentences, is reading it. We usually just put on the music, later remember nothing of what we heard, whether we liked it or not. We may have a vague idea, alright. But it doesn’t matter, it’s not like we’re going to listen to it again, is it? It sure isn’t! Because we have another 124254560 bands people, friends, acquaintances have suggested we give a “spin”, double that for bands we’ve randomly stumbled upon, bands we’ve (I’ve ^^,) seen on progarchives.com, suggested bands or neighbours’ favourites on last.fm… We’re bound to find something in this sea of art, this ocean of melody. Of course it never ends. What ever does? So we download discographies and try bands out and hop from one group to the next… But never staying with any which one for too long, no, that would be wasting time, wouldn’t it, we just keep on swinging, just like the insatiable little music nymphomaniacs that we proudly think we are. And in the end, all we’re left with is a sterile knowledge of band names and logos, song names, albums, stats, dates, genres…

If you think about it, it’s that way with everything. Travel, games, books, food, experiences, knowledge, people… The maximalist approach: less is less, the more the better. We can’t escape it. It is our culture’s paradigm. It’s what we do now, how we look at things.

But that doesn’t mean we can’t look at things differently.

At least for a change.

EDIT 28/4/2016: New link for the above video: