Review: Clover Omnibus

Clover Omnibus
Clover Omnibus by CLAMP

My rating: 3 of 5 stars

I read the other reviews on Goodreads before setting out to write this (as I always do for good or ill) and it seems that we only got 2/3 of what Clover was originally meant to be. Maybe that’s why it’s nonsensical. The “written word” part of it is just that: incoherent. The lyrics from that song, in 110% cliché anime style (i.e generic song that has the words love, happiness, forever, together, alone, tears and heart mixed, sautéed in soy sauce and served on the spot) repeated ad nauseam was quite annoying and the plot in general didn’t exist at all. Yes, I’ve concluded that it can’t be my fault that almost all anime/manga plots fly right over my head. This one in particular… wow. It was so irrelevant or so it seemed, that I think it would have been better if I had “read” it in Japanese (or whatever other verb you can use to describe at least trying to read something that’s in a foreign language and you by default only pay attention to the shapes of the letters/characters/kana).

The reason I’m stressing this of course is that this tome is just beautiful and I can imagine the aesthetics take a hit when the kana and kanji are forced to be replaced by latin characters. The steampunk/clockwork angel & sparrow thing worked well and was pretty to look at on the experimentally laid out pages that flow in lightning speeds. While I enjoyed the visual feast, I must confess that this style in the end is just not for me.

Even like that, I ended up liking it and it’s probably because some parts reminded me very strongly of my girlfriend who’s the one who came to my house one day and out of the blue just left Clover on my desk. If it wasn’t for her, I would have probably never touched it. But, sentimental a critic as I am, my feelings governed these keystrokes. I feel strangely complete writing this.

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Review: Apocalypsopolis by Ran Prieur

ApocalypsopolisApocalypsopolis by Ran Prieur

My rating: 5 of 5 stars

I’ve asked the question before, but can we really consider this a book? If the writer says it’s one, it is one; we’re taking it from there.

I’ve been reading the blog of this crazy person Ran Prieur for the past few weeks and every day I love him more and more. His writing, his style, his way of life is another inspiration for me. He’s quickly finding his way to this exclusive mental resort where all my top favourite people (Douglas Adams, Dan Carlin, Maria Efthimiou, Kyle Cease, Jean-Jacques Rousseau, Raymond Smullyan, Steven Wilson, Alan Watts, Edgar Wright and the list goes on) are having the longest cocktail party/cozy discussion in altered states of their (after)lives.

Apocalypsopolis is a post-apocalyptic novela – or should I say while-apocalyptic? It shows what would happen during the apocalypse. Ran Prieur’s version of it isn’t any old end of the world, however. Through his work he clearly shows all of the things that mattered to him 9 years ago and still, to a certain extent, do today: man’s alienation from nature, his interest in “conspiracy theories” and metaphysics, the simplicity, complexity and -at the same time- trivialty of existence, the future of humanity.

You like post-apocalyptic fantasy? Read it. You like (political) philosophy? Read it. You like hippie fiction? Read it. Intrigued by the deconstruction of metaphysics? Read it. Survivalism strike your fancy? You know the drill.

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Review: We All Need Heroes: Stories of the Brave and Foolish by Simon Zingerman

We All Need Heroes: Stories of the Brave and FoolishWe All Need Heroes: Stories of the Brave and Foolish by Simon Zingerman

My rating: 4 of 5 stars

One day, maybe a month or so ago, Simon Zingerman contacted me here on Goodreads and asked me to review a .pdf edition of his new book in exchange for a paperback copy of it. I had a look at it and it seemed interesting so I accepted.

In hindsight, his sending the book to me for free was a purposeful move: We All Need Heroes is basically a very optimistic collection of around 120 stories of people who made it or became famous either through extreme luck, fantastic ideas, dedication to their beliefs or pure, simple “stupidity” (quoting because their supposed stupidity ultimately worked to their advantage). Some of these accounts are exactly about how you can create buzz about your work in the very same “guerilla” way the author contacted me and many other users of Goodreads also. Apart from that, the stories themselves were in general quite interesting and my picks -the ones I felt could be significant for me personally- made up a good chunk of the book. That said, I can see how the next time I read it my favourites will have changed along with me, just like Simon Zingerman predicts -and even hopes- will happen in his introduction to the book.

The work unfortunately has its little problems. I didn’t particularly care for the “happy ending”, “risky/illegal”, “disturbed/crazy” etc. 0-100% statistics at the bottom of every story. By what standard is one story a 50% and another an 80%? The assessment would make sense if there was a “Top 10 happiest endings” chart at the end of the book or something similar, but there was nothing of the sort. After the first few pages, I started hungrily devouring one story after another, skipping these gauges entirely. The keywords under the title of each story were met with the same fate. Zingerman’s graphic design touches seem to have worked well in many aspects but not so much in others.

But I won’t be too critical of the details. This book has given me food for thought and inspiration and I will be sure to read it again, this time taking notes.

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Review: Το Λαβωμένο Νερό

Το Λαβωμένο ΝερόΤο Λαβωμένο Νερό by Cristina Cuadra García

My rating: 2 of 5 stars

To ξέθαψα από τη βιβλιοθήκη μου. Ούτε που έχω ιδέα πώς έπεσε στα χέρια μου αρχικά. Το όλο εγχείρημα πρόκειται για μια παρουσίαση του πώς λειτουργεί το Ευρωπαϊκό Κοινοβούλιο και η ΕΕ σε θεσμικό επίπεδο μέ πρωταγωνιστές ευρωβουλευτές, βοηθούς τους, εταιρείες κτλ.

Το σχέδιο δεν είναι άσχημο αλλά η ιστορία (ακόμα κι αν όλο μαζί είναι άντε 32 σελίδες!) είναι τελείως αδιάφορη και δεν εκπληρώνει τον σκοπό της, δηλαδή να κάνει τους ευρωπαϊκούς θεσμούς να φαίνονται λιγότερο ανούσια περίπλοκοι ή τρομερά βαρετοί και γραφειοκρατικοί.

Βρήκα ενδιαφέρον πώς, τόσο το 2003 που εκδόθηκε το Λαβωμένο Νερό όσο και μια δεκαετία μετά, το 2013, η ιδιωτικοποίηση του νερού και η εκμετάλλευση του από διάφορες επιτήδειες εταιρείες παραμένει κεντρικό πολιτικό ζήτημα. Επίσης ενδιαφέρον για μένα προσωπικά η απεικόνιση των διάφορων αιθουσών του κτιρίου του κοινοβουλίου στις Βρυξέλλες (υπάρχει και δεύτερο, στο Στρασβούργο, στο οποίο μεταβαίνουν με έξοδα της ΕΕ όλοι οι ευρωβουλευτές για τις συνεδριάσεις τους τακτικότατα — ουδέν σχόλιον), τις οποίες επισκέφτηκα πρόσφατα και έτσι μπορούσαν να φανταστώ πιο ζωντανά την εξέλιξη της δράσης που διάβαζα.

Ειρωνικό και τραγικό μαζί πόσο έχουν αλλάξει οι φιλοδοξίες και η κατάσταση της Ένωσης 10 χρόνια μετά. Όλα προσχεδιασμένα από μια μεγάλη συνωμοσία; Μια ένωση η οποία ποτέ δεν είχε δημοκρατικές βλέψεις αλλά οι θεσμοί που προέκυψαν ήταν ένα ευτυχές ατύχημα (looking at you, Υοuth In Action, Erasmus κτλ); Μια ελίτ που καπηλέυεται μια «δημοκρατία» που από την υπερβολική της αδράνεια δεν μπορεί να κάνει τίποτα για να αποτρέψει την πρώτη; Μεγάλες ερωτήσεις για τις οποίες οι απαντήσεις μου είναι απλά ανεπαρκείς.

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Review: The Rebel Sell: Why the Culture Can’t Be Jammed

The Rebel Sell: Why the Culture Can't Be JammedThe Rebel Sell: Why the Culture Can’t Be Jammed by Joseph Heath

My rating: 3 of 5 stars

This one is a toughy. Few other times have I been this undecided on a book before reviewing it.

While reading The Rebel Sell, I was nodding in agreement with many of the arguments Joseph Heath and Andrew Potter posed, such as the proposition that mass consumerism is unavoidable because it is recognition, distinction and status that people find when they consume, and while on the whole if theoretically no-one bought anything all would be well and good, everyone has to keep consuming just because everyone else keeps doing so. It is an instance of the prisoner’s dilemma, a central part of their point, used many times in the book and presented convincingly. It’s an interesting concept applicable to politics, sociology and other topics.

Furthermore, their analysis of taste in art and culture and how it is another form of projecting one’s own social class was also profound, as well as their take on what it means to be cool and how, in their view, that is the very thing that drives consumerism: someone has to be the Joneses, after all, and it is the cool people who become the Joneses, whether they realise/like it or not. There are many other such bits and pieces I found agreeable and fun to read, such as the distinction between dissent and deviance, something with which I can completely relate. If you wouldn’t like a society in which everyone acts a certain way and not just you, it’s probably deviance and not dissent, like the stupid graffiti tags, not paying taxes or avoiding standing in queue. It’s a healthy observation.

But. As convincing as I found the points above, as well as many others which did, at times, make the book a bit chaotic in its argumentation, I couldn’t help but feel the smugness of Mr. Heath and Mr. Potter seep through the pages. They ridicule the counterculture, often repeating themselves and failing to spot the benefits society has gained from it in the 50 years since it first emerged, at least in the form they describe. They cannot find any merit in any kind of fringe social movement. It’s like they’re trying to “get over” their own countercultural past by dissecting it, as if they’re trying to prove how wrong and misled their own mocking peers had been -as my friend who lent me the book accurately commented. It’s like they’re saying “look how grown up and rational we are now! Just try and grow up like we did, you pathetic self-important tree huggers/hipsters/anarchists/punks/Naomi Klein.”

Nevertheless, I realise that the implications of what is presented within the book are vast and indeed might be playing an important political role in the fragmentation of the left and its members trying to “out-radicalise” oneanother. The sad result is that it is a weaker force which is left to oppose the all-consuming capitalist market. When all has to do with individuality and how different everyone can and should be in order to “stick it to The Man”, there can of course be very little emphasis on how people can cooperate and find the similarities and common goals between them. The problem is that the same market which the writers are defending -at least in principle- and its state today, 10 years after the writing of the book, has only made itself horrifyingly stronger against legislative and institutional reform. The writers greatly underestimate the current relationship between corporations and governments and how difficult it is to change from within. The world is practically ruled by corporations and to question that rivals the counterculture in its supposed naiveté.

Comfortably, the above declaration would be enough for the writers to smirk at me and include me in the already-accounted-for group of wannabe radical counterculturals who can’t face reality. The whole point of the book is putting cases such as me, if just a hint less self-conscious, in their rightful place; just another individualistic rebel who lazily rejects all small reforms in favour of a total paradigm shift which will most probably never come, at least not in the form anybody expects. Maybe I am such a naive, sentimental being as to fall right into this argumentative trap, but I feel, like so many others ridiculed in the book, that there just is something wrong at a much deeper level with the world than what can be merely altered through laws and regulations.

Enough. I could go on. As someone whose rough ideology is directly challenged by the book, I feel I have to excuse myself and prove how “they don’t get it” in quite a thorough and wordy manner. I’m not sure I like this reacion of mine but I acknowledge it. Suffice it to say that this shows that the book is at least worth reading. For good or bad, it has intensified my great ideological confusion and has made me think and question myself – a favourite hobby of mine, that last part. I recognise its value and its propositions even if -I suppose I should say ‘thankfully’- at a sentimental level I just can’t agree. I suggest that you read it and see what impact it has on you too.

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Review: Whatever You Think, Think the Opposite

Whatever You Think, Think the OppositeWhatever You Think, Think the Opposite by Paul Arden

My rating: 4 of 5 stars

This book is so short you can throw in a re-read every time you’re about to lend it out and it gets better every time because every time you’re just a bit older and different parts stay with you in new ways. I think I’ve already read it 4 times in random the years I’ve owned it just by picking it up and putting it down 30 minutes later having read it all and thinking about it anew. I like thinking outside the box in extreme ways, if not practically in my life at least in theory (figures: why else would I enjoy books such as this?) and Whatever You Think, Think the Opposite encourages that side of my character. It mostly comprises stories of bad decisions that in the long run proved to be good; of people finding out that the secret is letting yourself risk and tread new water no matter the (illusory) danger, ultimately reaping all the rewards. In the end, being different from others also means deciding irrationally, for everyone else tries to be rational and make decisions like that too.

Of course I should say that the ultimate capitalist dream is to be a unique, bleeding-edge entepreneur and Paul Arden seems to be preaching to precisely that choir in particular. His work has a “live and let die” vibe and the fact that a lot of his stories of success, creativity and “bad” decisions have to do with advertising, “making it” and getting rich, turns me off a bit. At the very least, it’s a different kind of inspiration from what would really get me going, what would really speak to my core. Still, it’s advice you can presumably use in many different aspects of life.

Amidst all this you can certainly be forgiven if you don’t really notice the top-notch graphic design that makes Arden’s words even sparklier and more alluring. The less is being said and the better its presentation, the more mysteriously seductive what’s being said is. It’s not just the power of the words alone, there are other forces at play here… Scary thought if you’re not willing to admit that humans are mainly weak, malleabe and inconsistent beings.

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Review: Η αυτοεκτίμηση

Η αυτοεκτίμησηΗ αυτοεκτίμηση by Christophe André & François Lelord

My rating: 3 of 5 stars

Κλασικά: διαβάζεις ένα τέτοιο βιβλίο, βλέπεις ξεκάθαρα πώς μπορεί να σε βοηθήσει, αυτά που μαθαίνεις μένουν μαζί και για λίγο καιρό… Σχεδόν λες ότι ίσως και να έχεις κάνει ένα βήμα για να αγαπήσεις τον εαυτό σου περισσότερο και να μπορείς να ζεις για τον εαυτό σου και όχι για τον αποδχή από τους άλλους — που αν το σκεφτείτε είναι λίγο περίεργο, αφού ο άνθρωπος ως κοινωνικό ων ΖΕΙ για την αποδοχή των άλλων και ο εξοστρακισμός και η απόρριψη είναι ο εφιάλτης του. Οπότε αυτοί που έχουν υψηλή αυτοεκτίμηση νιώθουν πως δεν χρειάζονται τους άλλους ή αναγνωρίζουν ότι σε περίπτωση που απορριφθούν δεν είναι δικό τους το σφάλμα αλλά των υπόλοιπων και αποκρούουν το χτύπημα λες και δεν ήταν τίποτα;

Τέλος πάντων, αυτά μένουν για λίγο μαζί σου αλλά συχνά το μεγαλύτερο κομμάτι τους ξεπλένονται από πάνω σου σαν μελάνια κάτω από παγωμένο νερό. Το δύσκολο είναι να κάνεις όσα διαβάζεις μέρος σου σε ένα βαθύτερο επίπεδο, και για αυτό δεν φτάνει ένα βιβλίο. Είναι χρήσιμο το δίχως άλλο αλλά απαιτεί μια προσπάθεια σε πολλούς τομείς της ζωής.

Σχετικά με το ίδιο το βιβλίο, βρήκα το πρώτο κεφάλαιο που ανάλυε το τι είναι και από τι προκύπτει η αυτοεκτίμηση και τα τελευταία δύο-τρία κεφάλαια τα πιο ενδιαφέροντα. Γενικά θα το ξαναδιάβαζα.

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Review: Historia de una Gaviota y del Gato Que le Enseñó a Volar

Historia de una Gaviota y del Gato Que le Enseñó a Volar (Colección Andanzas)Historia de una Gaviota y del Gato Que le Enseñó a Volar by Luis Sepúlveda

My rating: 4 of 5 stars

¿Un gato que se llama Zorbas que es grande, negro y gordo?¿Una historia que toma lugar en Hamburgo?¿Un poeta que sabe varios maneras de volar?¡Me parece que este libro se escribió para mi! Creo que yo no la escribiría diferentamente, si yo fuera el escritor. Quizás Sepúlveda es yo mismo en una reencarnación futura/pasada, tantos similares me parece son nuestros estilos de ver la vida y el mundo.

Los gatos protagonistas, aunque tienen personalidades simples y son más caricaturas que personajes (¿animales?) verdaderas, me parecían de buen gusto. Todo el libro es de buen gusto, describiendo imagenes hermosas y emocionantes, incluso para mi, por mucho que es para ñinos. Se partenece en esa categoría de obres que pueden leerse de personas de todas edades. Y en ciertos casos, los mensajes simples pero profundos se entienden mejor por los adultos.

Este libro fue el primero que leía en español y por eso no podía entender todas las bromas, especialmente esas que tenían que ver con palabras. Entendí cerca de 70% de que lo leí. Pues nada: me gustaba y lo visitaré de nuevo cuando entienda cada única frase! Este tiempo está cerca… ¡Muajajajajá!

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Review: The Trap

The TrapThe Trap by James Goldsmith

My rating: 4 of 5 stars

“Sir James Michael “Jimmy” Goldsmith was an Anglo-French billionaire financier. Towards the end of his life, he became a magazine publisher and a politician. In 1994, he was elected to represent France as a Member of the European Parliament and he subsequently founded the short-lived eurosceptic Referendum Party in Britain. He was known for his polyamorous romantic relationships and for the various children he fathered with his wives and girlfriends.”

This was the author of this book written in 1993-4. He clearly can’t have been a leftist, marxist or “liberal”; at least that’s how our presumption would go. I for one was confused about Mr. Goldsmith’s political identity after reading his book. He goes over what the potential dangers of globalisation looked like 20 years ago, after the fall of the USSR when Fukuyama’s End Of History seemed like it might have been rather spot-on. Now of course we know that history didn’t end and that globalisation was a real phantom menace, but back it wasn’t yet the concrete everyday reality of 2013. And you most certainly wouldn’t have expected a “billionaire financier” to lean that way.

Basically, this rich guy predicted: the crisis of the European South 8 years before even the introduction of the Euro; the inevitability of unemployment, recession and austerity when the world had to competing with the ocean of cheap labour that is Asia; the dangers of monocultures and GMO mega-corporations like Monsanto; even the dead-end that is nuclear power, among other things. Unexpectedly, for me at least, he doesn’t even touch neoliberalist ideas in the book and uses very lucid and clearly-constructed arguments to demonstrate that the path humanity, or at least its more powerful chunk, has chosen, is basically wrong.

His predictions were logic-driven. They were there in 1993, just like they are there today. If no-one listened back then they might be excused. But there is no excuse today for not listening. Following a strategy doomed to obvious failure is either extremely stupid or criminal -and I’m not buying that anyone making this much money off of the world can be that stupid…

The Trap showed me just how little the discussion has changed, how old false dilemmas have reared their ugly heads again and again, never failing to fool the masses anew and always succeeding to make the world a little bit of a worse place to live in. James Goldsmith wrote this book as a warning. Everything he was warning against has come true. Why should I think that the unseen rest of this huge trap hasn’t already been long prepared or perhaps even sprung?

Time will tell. Fortunately, my pessimistic side doesn’t usually get the best of me.

Kudos go to Dan Carlin for bringing this book to my attention (listen to this episode for a much better review and comparison of The Trap to the present situation than I could ever write) and my father who actually bought it when it first came out. I found it in his bookshelf; it’s apparently rather hard/expensive to find now.

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