Review: 1984 : Ο μεγάλος αδελφός

1984 : Ο μεγάλος αδελφός
1984 : Ο μεγάλος αδελφός by George Orwell

My rating: 5 of 5 stars

Under the spreading chestnut tree
I sold you and you sold me
There lie they, and here lie we
Under the spreading chestnut tree

I always loved how, in the book, pop prolefeed songs are manufactured by computers; no human creativity is needed. I involuntarily recall this tidbit whenever I listen to the newest radio hit these days.

I originally read Nineteen Eighty-Four (the original title, though understandably usually shortened to 1984) in Greek a few years back. 10 days or so ago I felt a need to return to it in English and did so in audio book format, read by Simon Prebble.

They say that Brave New World describes our world much better than 1984 does, that the blissful ignorance is much more prominent in our society than 1984’s “boot stamping the human face”. I’ve always held at heart that our own dystopia in the making is the neat blend of the two: the blissfully ignorant sex, drugs and genetically determined human strata, go hand in hand with a government that is in love with power and has merely chosen this more subdued but no less effective way to prolong its ever-lasting dominion.

In this world, wars never end; the enemy is unbeatable and ever-present. Bombs go off randomly every now and again just to allow your mind to come in terms with this fact. Telescreens follow the population everywhere. Nowadays people even take little telescreens with them and have feelings of withdrawal if they are ever separated from them. Those who control the present control the past, and those who do so, do it very, very well. So well, in fact, that public opinion can be swayed one way or another in a matter of weeks or even days — so little do people actually remember, so easily do they forget. Relativism is used as the end-all be-all argument to support that might is right following sickening twists of logic: that there is no nature “out there”, thus truth is dictated by the government and the government only. A similar argument hides behind the saying “who wants to ban fascist groups is against freedom of speech and a fascist themselves!” The encouragement of doublethink, of which the above is but an example, ultimately has people holding two contradicting beliefs at the same time: “I’m not a racist, but everybody knows that our race is more advanced” or “war is peace, freedom is slavery, ignorance is strength”. In a similar vain, the government body that is responsible for hitting people and quenching peaceful protests is named “Ministry of Citizen Protection” and the one which makes sure that everyone starves is called “Ministry of Development”, releasing false figures to mask the facts and manipulate the masses. They are allowed to do so; there are no real laws, since the judiciary body is also controlled by the government. What about the proles where the hope for revolution lies? They’re either too busy surviving to actually think for themselves or they’re blindly consuming the “prolefeed” the party is providing them with, including of course their own propaganda.

…oh, sorry about that. I got carried away there and started describing our own living, breathing 2012.

This is definitely one of the masterpieces of the 20th century and is one of absolute favourites. It stands as a beaming symbol of the totalitarian societies of the past and of political oppression, violence, propaganda, hunger for power etc. Orwell’s vision was so ironically vivid, realistic and reverberated with so many that his name has even come through this book to stand for a whole arrangement of things that smack of real-world totalitarianism. Even if he did write it for a different world than what exists more than half a century later, it’s evident that when it comes to human societies, old loves die hard; whether it is totalitarian socialism/communism or hardcore neo-liberal capitalism, it makes little difference. The essence, displays Orwell masterfully, remains the same. Reading 1984, especially for a second time, I got the same feeling Winston, the protagonist, gets from reading a certain book in the book itself: that he had always known about these things and that he was grateful that he had found someone who could articulate them for him.

Parts of 1984 are extreme, I’ll admit. Part Three is a punch in the gut every time. I just wanted to lie in a fetal position in the corner of my room after first reading it. It is that hopeless, that horrible. I can’t believe that states like Oceania et al. could be set up and maintain themselves on force, pain and hatred alone; call it conscience, call it a belief that people are basically good, I just can’t see such a place existing. It’s too evil to exist! That said, I can’t think of a way that such a regime, if already having been set up properly, could fall, either. Not to mention that in many ways, our own world and reality is full of unnecessary evil. Who’s to say if it’s within the bounds of possibility for the next logical step in this progression of evil and imbalance to be taken?

This nightmarish inevitability hidden within, the terror of the idea that if someone really wanted to create IngSoc and Oceania, they could, is what plays with my mind and I believe with every reader’s mind. We might, like Winston, think that such a world is just a work of dystopian fantasy; if we look around us carefully, we just might realise that the absoluteness of the pain, the torture and the future being described as “a boot stamping on a human face forever” might not be such absurd ideas after all.

The owner of the boot is creating his shoelaces made of hatred and fear as we speak. What if we could create our own artificial shortage of shoelaces?

View all my reviews

Review: Γυναίκες στα κόμικς

Γυναίκες στα κόμικς
Γυναίκες στα κόμικς by Γιάννης Κουκουλάς

My rating: 3 of 5 stars

Θα ξεκινήσω με το πιο σημαντικό, ίσως, χαρακτηριστικό αυτού του βιβλίου: το έχει προλογίσει ο Αβραάμ Κάουα του οποίου, εγώ όπως και πολλοί φίλοι μου πρώην φοιτητές του και μη, δηλώνουμε ξεδιάντροπα fanboys. Πολλές χαρούμενες ώρες γεμάτες γνώση μας χάρισε διδάσκοντας στο ΤΠΤΕ μαθήματα όπως Πολιτισμικές Σπουδές: μια εισαγωγή (στα Αγγλικά), Πολιτισμό των Εικόνων και Πολιτισμό των Κόμικς. Έχω κρατήσει όλες του τις σημειώσεις για εύκολη αναφορά στο μέλλον! Αχέμ, λίγο ακόμα και δεν θα ανέφερα καν το βιβλίο και θα συνέχιζα να μιλάω για τον Κάουα.

Το ίδιο ήταν ενδιαφέρον αλλά βρήκα λίγο επιφανειακό στις περιγραφές του. Ίσως επειδή πολλές από τις ηρωίδες με τις οποίες ασχολήθηκε και αυτές δημιουργήθηκαν για να είναι επιφανειακές, ακόμα και να μέσω από αυτή την επιφανειακότητα τους μπορούν να πουν πάρα πολλά για τις εποχές τους, τους δημιουργούς και το κοινό τους. Βρήκα πως η ανάλυση του κ. Κουκουλά υπερτίμουσε κάποιες ηρωίδες και υποτιμούσε άλλες κάπως αυθαίρετα, χωρίς προφανή λόγο, ίσως μόνο επειδή του άρεσαν περισσότερ οι τίτλοι στους οποίους αυτές οι ηρωίδες πρωταγωνιστούσαν. Για παράδειγμα, δε μπορώ να δω πως η Brandy Carter με τη τελειότητα της μπορεί να είναι σύμβολο της εξέλιξης των γυναικών στα κόμιξ, εκτός βέβαια από το γεγονός πως οι γυναίκες πλέον δεν είναι οι υποστηρικτικοί ρόλοι που ήταν κάποτε για τους άντρες πρωταγωνιστές αλλά η καρδιά πολλών τίτλων στους οποίους εμφανίζονται. Επίσης, βρήκα πως το να είναι σε μια συλλογή γυναίκες αλλά και μικρά κορίτσια, με τελείως διαφορετικούς ρόλους και με μόνο κοινό σημείο αναφορά το φύλο, ήταν λίγο άστοχο — όχι πως ήταν λιγότερο ενδιαφέρον να διαβάζεις για τη Μικρή Λουλού και τη Lucy απ’τα Peanuts απ’ότι για τη Catwoman και τη Φωτεινή της Νύχτας, απλά τα κορίτσια δεν είναι ακριβώς γυναίκες, όπως και τα αγόρια δεν είναι ακριβώς άντρες, άσχετα αν συσχετίζουμε τα παιδιά ως τα εν δυνάμει ενηλικιωμένα φύλα τους (πάντα όπως αντιλαμβανόμαστε το gender, και όχι το sex, όπως προφανώς κάνει και ο κ. Κουκουλάς σε αυτή την έκδοση).

Παρ’όλ’αυτά, στις σελίδες του γνώρισα ή και θυμήθηκα κόμικ τα οποία θέλω να επισκεφθώ πιο συστηματικά: Tank Girl, Miss Fury, Valentina, Mafalda, Ada in the jungle και το La Foire aux immortels…

View all my reviews

Review: In Watermelon Sugar

In Watermelon Sugar
In Watermelon Sugar by Richard Brautigan

My rating: 2 of 5 stars

In Watermelon Sugar is one of those books which you kind of get the charm of but simply can’t like. It’s tiny, with a chapter for every one or two pages, and is very easy to read, yet it took me some six months to finish. I see here on Goodreads I’m in the minority but I can easily see why someone could be taken with its simple prose, dreamy lack of narrative and the accordingly floaty characters who always live for the moment, nurtured in a unique, post-modernist culture.

I could find very little pleasure in this book. It’s not just that it’s so much stuck in the era it was written in; I got sick of trouts and that watermelon sugar stuff of which apparently everything is made in that peculiar world. The easy-going style I found pretentious and forced. What I found the most annoying though were the characters: they were wafer-thin, completely naive and perfectly interchangeable. Again, perhaps, that’s what’s made this book so famous and loved by so many. Obviously, I beg to differ.

I must admit it, though: the idea of having a sun the colour of which changes every day, and when it’s black the world has an extended night with no stars and everything is completely silent, tickles my Extraverted Intuition.

View all my reviews

Review: Ishmael

Ishmael
Ishmael by Daniel Quinn

My rating: 2 of 5 stars

First of all: I read this in its abridged, audiobook edition. I don’t think if it had been longer my opinion might have been any different but I had to share the fact for what it might be worth for. Maybe it influenced more than it would have the impact of what I perceived the book’s short-comings on me. Maybe it being an audiobook pronounced the book’s obvious shortcomings I detail below.

Why 2 stars:

The main point of Ishmael, the gist, the essence, the core of it I agree with. The agricultural revolution 10,000 years ago changed everything for Homo Sapiens. It began the era of the manipulation of other species, be it floral or faunal, it made people settle down and (as Jean-Jacques Rousseau would have it), “enclose a piece of ground and call it theirs[…]”; it created private ownership. It moved people away from their earlier “primitive communist” ways of living and finally it founded civil society and cities. As one can thus etymologically deduce, this event created what we tend to call civlization today.

All this I heartily agree with. A great deal, if not all, of humanity’s problems and imbalances that are now reaching their logical climaxes were created back then, thousands of years before people had even begun making writing stuff down a habit.

What’s wrong then?

-This book is NOT a novel. Why does it pretend to be one? Why does it have a story? Why does it have a stupid guy as its protagonist that answers to every question with a “yes” or a “no”? Why even a guy in the first place with whom practically no-one out of the book’s target audience would be able to identify? Do we have to read these discussions? I honestly grew tired of them very quickly.

In my opinion the Socratic method doesn’t work for written teachings for it does not let the reader figure their own answers out; they only have to keep reading to “get it”, not to say that they might have different answers than the, frankly, unimaginative ones the student comes up with. At the same time as the students don’t really have to think their answers out at all, the teacher gets all condescending and irritating.

-Wouldn’t you say it’s a failure of a book structure?
-Yes.

The wise gorilla, the book’s namesake. This wise gorilla, complete with his own needless backstory and apparently symbolising the whole of nature apart from humans, has the ultimate solution. His ultimate solution though depends on every student spreading the message to not one, not two, but one hundred others. Really? A hundred? I don’t even have this many acquaintances I am on speaking terms with, if facebook is to be trusted; how would anyone in this age of pluralism of opinion but monolithicism of practice take such bold and life-changing decisions just by listening to me? To return to the subject of the gorilla: he is the front for the writer himself, but his temper with the arbitrarily dim student is short, his arrogance annoying and his bullheadedness and sporadic refusal to teach, completely out of character. Why the whole blasé air?

A funny personal sidenote: because the gorilla was of the talkative kind, I imagined him as wearing clothes, glasses and a hat. Cultural conditioning much.

TLDR: the book has a valuable message but the presentation takes almost all of the value away from it.

View all my reviews

Review: Replay

Replay
Replay by Ken Grimwood

My rating: 3 of 5 stars

I started replaying Majora’s Mask a few weeks ago and that was enough reason for me to start looking again for books, movies or other games with a similar central idea. Replay appears to be the original work of fiction which examined this particular kind of thought experiment this exhaustively. In Replay, it’s not three days or a single day like in Groundhog Day –which this book directly inspired; it’s 25 years.

The concept sounded very exciting — if you’re fan of this narrative gimmick like I am, of course. 25 years sounds like enough time for anyone to be able to do pretty much anything they want in and live comfortably. What could possibly go wrong with Jeff’s new life, what could possibly produce any kind of drama and make the book interesting? Well, let’s just say that long-term relationships, including families, don’t exactly thrive on such circumstances…

Every replay was a mystery and the possibilities were spreading out in front of me together with Jeff every time he returned to 1963. But I could not always identify with some of his choices or the way he opted to handle some matters, like

Spoiler
meeting his wife on the first replay or him being content with Judy but subsequently forgetting about her almost completely.

I also thought it was sloppy writing having all the sporting events conveniently turn out exactly the same way every time. In what kind of cause-effect comological system do teams of players play exactly the same way, the same horses come first 25 years in 25 years out? This story could have a lot of extra worth as a feast of alternate history but unfortunately it does not deliver anywhere close to what it could, apart fromthat little bit close to the end when

Spoiler
Jeff and Pamela go public. Now that I think about it, I don’t know how much different I would make every replay if I was writing this story. Too much difference between every time and the story loses its main antagonist (the repetition of time itself) and becomes boring, too little, ditto.
I gusss Ken Grimwood (great name for a writer, btw) wanted to have the best of both a clockwork and a quantum theory world.

Another of my qualms:

Spoiler
Pamela wasn’t the most likeable character. I even found her annoying at times, especially closer to the end, when she gets angry at Jeff for approaching her old self (and he rightly protests). It got me thinking, what do people love in another person? Their personality, the memories they have together? Would it ever be possible to compare and contrast the two? Would it be considered cheating going out with a version of your loved one that has no recollection of you, you know everything about them and the newer version catches you red-handed? Interesting questions, interesting questions.

You know what? Now I want to watch Star Sea. It would be my favourite movie ever. I bet I’d also be one of the geeks that liked Continuum.

View all my reviews

Review: The Importance of Being Earnest

The Importance of Being Earnest
The Importance of Being Earnest by Oscar Wilde

My rating: 4 of 5 stars

Another work I enjoyed in Audiobook form, this one from LibriVox — Oscar Wilde comfortably belongs to the public domain, after all. Most of the voice actors were quite good, especially given the fact that most, if not all, of them were amateurs. As always, however, no measure of generalisation can capture the full spectrum of reality; some of the actors were bored with the text and were yawn-inspiring and others were very much into their role. By the end it was impossible for me to disconnect those actors’ voices from their respective characters!

So, what about The Importance of Being Earnest as a script, as a work by the great Oscar Wilde? It’s a fairly standard play. I mean that in the sense that everything falls into place by the end, it has a first, second and third act, all clearly defined. The characters are as delightfully unrealistic as they perfectly working symbols of late 19th century upper-class England. Even the surprises of the plot are carefully measured, predictably unpredictable. That said, it’s excellent insofar as standard, classic plays go. It’s rather a lot like anything perfect, be it a book, a film, a person or a work of culinary art: ultimately forgettable. The little quirks so common in contemporary, postmodern art add much-needed flavour to things. Some would say that lack of such quirks in any given work, especially by Oscar Wilde and others of his time and prestige, could count as proof of its timeless quality. I wouldn’t have any qualms with that opinion, even though for me the quirks are the soul of any piece of art.

Note: I still enjoyed it, laughed a lot with it and would attend a performance of it in a heartbeat.

View all my reviews

Review: The Power of Now: A Guide to Spiritual Enlightenment

The Power of Now: A Guide to Spiritual Enlightenment
The Power of Now: A Guide to Spiritual Enlightenment by Eckhart Tolle

My rating: 4 of 5 stars

I… um… “enjoyed” The Power of Now in audiobook form — difficult choice of words here because “read” would be a lie and “listened to” would make it Power of Now sound like a song. I guess audiobooks need their own transitive verb now. Anyway.

Audiobooks have their strengths and weaknesses, obviously. I had the pleasure to enjoy the Power of Now as I was exploring a part of my city that had long been invitingly mysterious and still. The setting reinforced the listening and vice versa. The experience would have certainly been very different had I visually read the book in that jungle of reed. Those hours of exploration are now inseperably interwoven with the listening in my mind. I touched the Power of Now as described in the book while I was there; my attention was not in the past, nor in the future, it was squarely focused on my ears and eyes. I didn’t finish it during that exploration, however, and most of my subsequent listenings were rife with inattention. I thus have problems now remembering which parts I do not have any recollection of; I have no page to turn to. When you’re visually reading a book, the lack of memory is connected with an image related to the book — perhaps a page number or even the visual arrangement of the page, the shape of all the letters in tandem jumping out to create a subconscious bookmark. When aurally reading a book, this image is connected with the surroundings, especially if one listens to the book when using mass transit and all kinds of faces and other people are there to capture the attention and fantasy in ways reeds cannot.

Enough with describing the medium. The book in itself is very good. I did not find Tolle awfully didactic and the Q&As through which he chose to convey his teachings were satisfactory catalysts for bringing out what he wanted to say. Neither was I annoyed with his “recycling” of old teachings; essentially, that’s what religions have been doing anyway, repackaging old wisdom in different flavours. His message is more important and relevant now than it ever was, what with our lifestyle crisis and general existential confusion: 1) There is no past or future, only present. Giving in to dominance of the mind filters out true consciousness and presence (as in being in the moment wherever and whenever one is, not in the past and future) 2) People’s minds are imposters pretending to be their true selves and worrying about all sorts of things when there is no real reason for it.

What I found slighlty annoying was his insistence on quoting Jesus. Then again, my being annoyed with Jesus is only part of being disgusted by the church and naturally connecting hiw with it. That is however, as I understand it, a logical fallacy (I would like to mention at this point that discrediting the book because Oprah popularised it is comitting the very same fallacy). To do Tolle justice he does say that he’s not in that way supporting Christianity over other religions (he often quotes Buddha as well as other enlightened figures of the past), he’s merely putting Jesus’ words ouf ot the context of that religion and into the context of the shared meaning behind all religions, of course with added stress to Eastern philosophies which emphasise more strongly on those aspects than the –generally moralistic– monotheistic ones.

Now that I’m trying to sum up the actual contents of this book I’m finding it hard to describe, even though I think I did get the gist of it. If I knew how to accurately and meaningfully reproduce it I wouldn’t have felt the need to read it. I guess “true wisdom cannot be shared through words; it lies within and waits for the right wake up call”. Yep, it’s one of those…

View all my reviews

Review: Εκατό χρόνια μοναξιά

Εκατό χρόνια μοναξιά
Εκατό χρόνια μοναξιά by Gabriel Garcí­a Márquez
My rating: 5 of 5 stars

Λίγες φορές έχουμε την ευκαιρία στον χώρο της λογοτεχνίας ή της καλλιτεχνικής αφήγησης να παρατηρήσουμε την ιστορία μιας ολόκληρης οικογένειας αντί μόνο ενός χαρακτήρα. Στην περίπτωση του Εκατό Χρόνια Μοναξιά, δεν προκείται απλά για μια οικογένεια ως ένα σημείο στον χρόνο –«αυτοί είναι οι γονείς, αυτά είναι τα παιδιά, αυτό είναι το ευρύτερο σόι, ας βουτήξουμε στην δράση»– αλλά για μια οικογένεια της οποίας την ζωή και την ιστορία διαβάζουμε λες και ήταν ενός ανθρώπου, με την γέννηση του, την ακμή του, την παρακμή του, τις κακές συνήθειες και τις εμμονές του.

Οι Μπουενδία (Καλημέρηδες!) είναι μια καταραμένη οικογένεια σε έναν υπερρεαλιστικό κόσμο, με την έννοια του hyper-real και όχι του sur-real, αν και για να είμαι ειλικρινής πολλά από τα σουρεαλιστικά που κάνουν την εμφάνιση τους στο βιβλίο με κάνουν να αναρωτιέμαι για το ποια ακριβώς είναι η διαφορά. Συμπρωταγωνιστής αυτής της καταραμένης οικογένειας είναι το Μακόντο, το χωριό που ιδρύει ο πρώτος Χοσέ Αρκάδιο Μπουενδία και η γυναίκα του Ούρσουλα σε βάλτους της Λατινικής Αμερικής που δίνει την αίσθηση του πιο απομονωμένου μέρους του κόσμου.

Στο Μακόντο, η ζωή είναι περίπου όπως την ξέρουμε αλλά όχι ακριβώς. Οι άνθρωποι ερωτεύονται για όλη τους την ζωή, κλείνονται σε δωμάτια τα οποία η σκόνη δεν αγγίζει ποτέ, οι Άραβες πουλάνε ιπτάμενα χαλιά τα οποία είναι ένα καθημερινό και συνηθισμένο θέαμα. Όλα σε αυτόν τον κόσμο δίνουν την αίσθηση της αχαλίνωτης υπερβολής: αν ζήσεις πολύ, θα ζήσεις πάνω από 140 χρόνια. Το πάθος θα είναι ολοκληρωτικό και αδύνατο κανείς να του αντισταθεί και οι επιμιξίες αποτελούν μικρό εμπόδιο, οι βεντέτες θα κρατάνε μια ζωή ή και περισσότερο, οι φόνοι είναι τρομακτικά βίαιοι. Οι Τραγωδίες κάνουν την εμφάνιση τους μόνο με Τ κεφαλαίο. Στον κόσμο του Μακόντο, αν ξεράσεις μια πράσινη γλίτσα γεμάτη βδέλες δεν θα υπάρχει κανένας λόγος ανησυχίας. Οτιδήποτε το αφάνταστα φρικιαστικό μπορεί να πάρει πραγματική μορφή αλλά κανείς δεν θα του ρίξει δεύτερη ματιά, είναι άλλωστε όλοι συνηθισμένοι σε φαντάσματα, τέρατα, παιδιά με γουρουνίσιες ουρές. Είναι μια απολαυστικά ενισχυμένη έκδοση της πραγματικότητας η οποία παραμένει παραταύτα εξαιρετικά ρεαλιστική, όσο αντιφατικό και αν ακούγεται αυτό. Ακολουθεί το σκεπτικό του αν οι άνθρωποι πιστεύουν σε κάτι, αυτό αρκεί για να το κάνει πραγματικό. Ο Μάρκες παίρνει αυτή την ιδέα, την φέρνει χίλιες βόλτες κι εμείς είμαστε οι εκστατικοί επιβάτες.

Υπό αυτές τις συνθήκες, η ομώνυμη μοναξιά που χτυπάει την οικογένεια των Μπουενδία είναι πραγματικά ασφυκτική. Γιατί όπως όλα σε αυτό το βιβλίο, η χαζομάρα, η τρέλα και οι φοβίες παίρνουν και αυτές δραματικές διαστάσεις. Τέτοιες διαστάσεις που εμποδίζουν ή γεννάνε μεγάλους έρωτες, κρατάνε παιδιά κλεισμένα σε χρυσά κλουβιά σκαλισμένα με ασημένιους καθολικούς σταυρούς, διαστρευλώνουν και αφαιρούν από τον ιστό της πραγματικότητας μακελειά και πολέμους, σκοτώνουν την χαρά της ζωής. Οι Μπουενδία είναι μια δυστυχισμένη φάρα από την αρχή μέχρι το τέλος της. Η τραγική της μοίρα κρύβει πολλές ειρωνίες της μοίρας. Μια εξ αυτών βρήκα ιδιαίτερα μεγάλη: τον ρόλο της Πιλάρ Τερνέρα στην διαιώνιση των Μπουενδία. Δεν θα γράψω τίποτα περισσότερο για να μην αποκαλύψω περισσότερα απ’όσα θα ήθελε να ξέρει κάποιος ο οποίος δεν έχει ακόμα διαβάσει το βιβλίο. Όπως λέει συχνά και η Ούρσουλα, εν μέρει συνένοχη του αναγνώστη, η τραγική ειρωνεία επαναλαμβάνεται και κάνει κύκλους σε αυτή την οικογένεια η οποία ποτέ δεν μαθαίνει από τα λάθη της και κάθε γενιά είναι γραφτό της να τα επαναλάβει. Πόση αλήθεια του κόσμου δεν κρύβεται σε αυτές τις γραμμές; Αυτό ακριβώς αντικατοπτρίζει και η επιλογή των ίδιων ονομάτων για τα παιδιά των Μπουενδία (πόσοι Αουρελιάνο πια!! Ήταν πραγματικά χρήσιμο το οικογενειακό δέντρο στην αρχή του βιβλίου και κατάφερνε να μην σποϊλεριάζει) η οποία στην αρχή είναι μεν κουραστική αλλά όσο προχωράει το βιβλίο αποκτάει ξεχωριστή σημασία. Η μοίρα των Μπουενδία μπορεί να μην αντικατοπτρίζεται πουθενά καλύτερα απ’ότι στο αρχοντικό τους και την κατάσταση του, την επέκταση και την φθορά με τις δεκαετίες.

Στα Εκατό Χρόνια Μοναξιά, η αλληγορία των Μπουενδία συναντά αυτόν τον υπέροχο υπερ-ρεαλισμό και μαζί δημιουργούν μια συναρπαστική ιστορία η οποία δεν χάνει από πουθενά. Η γενεαλογία των Μπουενδία και η ιστορία της μου κέντρισε το ενδιαφέρον για το τι σημαίνουν οι πρόγονοι και οι γενεαλογίες για τους ανθρώπους γενικότερα — ίσως έχει να κάνει και με το ότι έχω μικρή οικογένεια, καθόλου αδέρφια και ελάχιστους θείους/ες. Τα έξτρα στοιχεία όπως η ματιά στην παράδοση, στην θρησκευτική και «μεταφυσική», γιατί στο Μακόντο δεν υπάρχει μεταφυσική, μόνο φυσική, πίστη και στην ιστορία της Λατινικής Αμερικής, τουλάχιστον της πατρίδας του Μάρκες Κολομβίας, είναι το αλατοπίπερο της διήγησης. Προετοιμάζομαι ήδη να το διαβάσω και στα ισπανικά. Δεν με νοιάζει πόσο θα μου χρειαστεί: θα το καταφέρω!

View all my reviews