Review: The Artist’s Way: A Spiritual Path to Higher Creativity

The Artist's Way: A Spiritual Path to Higher CreativityThe Artist’s Way: A Spiritual Path to Higher Creativity by Julia Cameron

My rating: 5 of 5 stars

The Artist’s Way is one of those books that change you – one of those that are made to change you, and you buy them because you yourself want to change. It’s a course in self-discovery, acceptance and creative birth.

These are the basics: for every morning of every week for the 12-week duration of the course -one chapter for each week-, the blocked artists choosing to follow the Way have to:

1)Do three pages of free writing every morning, a daily ceremony known as the Morning Pages. This acts as a mind-clearing meditation routine, a brainstorming machine and a way of spotting trends: weeks after writing the pages the artist on the Way may analyse his or her morning pages and notice trends in his or her daily writings: unfulfilled artistic urges, changes that need to be made for the person to reach harmony and happiness, sudden ideas and other great things.

2) Take themselves out to at least one Artist’s date per week, in which they have to indulge in whatever it is they love doing but would not normally allow themselves to be lost in (remember, this book is meant for blocked artists -read: most of us-).

3) Complete tasks in personal archaeology and self-discovery, wherein they have to dig up favourite creative childhood pass-times they gave up because of humiliation, “growing up” or other creativity-killing reasons.

I completed my 12(+1 lazy one) weeks a few days ago. I can safely say that it had great effects on me. Doing morning pages has now become more of a good habit of mine, and even if I didn’t do all of the tasks, it’s one of the books you have to go through at some point again for inspiration. It says so in the end, too.

If you’re a blocked artist, believe you can’t do art because you think you’re too old to start or “can’t draw” (or are “tonedeaf” or “terrible at writing” or “have no ideas” ad nauseam), think whatever you do needs to be perfect from the beginning or don’t bother because what you would create wouldn’t appeal to the masses, you should really try following The Artist’s Way.

The only thing I would add to the course itself would be a special NoSurf task or, even better, a complete revisit to the book that takes what the world looks like in 2013 into account; I strongly feel the internet is becoming, at the same time, the most important invention and the single strongest creativity and motivation killer mankind has ever known. I mean, in the 1993 edition that I have, there’s already a no-reading week included in the course for eliminating distractions and for focusing time and energy on the creative juices within, but the internet is proving to be a distraction magnitudes greater than reading the paper or a book could ever be. We come in contact with the works of the world’s most talented and creative on a basis of addiction, almost.

What I really mean is that I’ve grown tired of and alarmed at the great artists I personally know who keep getting demotivated by seeing someone else’s graphic, photo or drawing on Tumblr or listening to that fantastic song or watching that clever video on Youtube, instead of getting inspired, as they claim they should be. It’s more “look how much others have progressed instead of me” and much less “this is possible and I could do it too.”

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Vsauce: Our Narrow Slice

What does the length of a human life really mean? How do we, often erroneously, perceive historical timeframes? Are we aware how uncharacteristic of our species’ normal pace current progress, and its breakneck speed, is?

One of Vsauce’s best episodes.

Review: Ποίηση και ζωγραφική στην ιαπωνική τέχνη: Ο Μπασό και το Ανεμοδαρμένο Ταξίδι

Ποίηση και ζωγραφική στην ιαπωνική τέχνη: Ο Μπασό και το Ανεμοδαρμένο ΤαξίδιΠοίηση και ζωγραφική στην ιαπωνική τέχνη: Ο Μπασό και το Ανεμοδαρμένο Ταξίδι by Κλαίρη Β. Παπαπαύλου
My rating: 3 of 5 stars

λευκή σκέψη
σελίδες κολλημένες
θέα απ’το βουνό

Το πιο καταπληκτικό γι’αυτό το βιβλίο είναι μόνο και μόνο το ότι υπάρχει. Η συγγραφέας του, η Κλαίρη Β. Παπαπαύλου, δίδασκε ιαπωνική κουλτούρα και τέχνη στο Πανεπιστήμιο Κρήτης ήδη από τα μέσα της δεκαετίας του ’80, δύο δεκαετίες πριν γίνει της μόδας, και αυτό το βιβλίο δημοσιεύτηκε το 1988. Οι άκοφτες σελίδες και το πολυτονικό σίγουρα συνεισέφεραν στην αίσθηση μοναδικότητας, ιερότητας, και όπως θα έλεγαν οι Ταοϊστές σε άπταιστο Αγγλικήν, suchness του. Απλά υπήρχε, και το μονοπάτι μου ήρθε σε επαφή μαζί του. Αν δεν το έβρισκα από αυτόν που το πούλαγε στον Κεραμεικό δίπλα στο μετρό, εκεί που απλώνουν τα παλιά και μεταχειρισμένα βιβλία, αποκλείεται να έπεφτε στα χέρια μου ποτέ.

Και, εδώ που τα λέμε, δεν θα ήταν σπουδαία απώλεία. Οι εξηγήσεις της κας. Παπαπαύλου για τα χαϊκού και την ιστορία του Μπασό, τον οποίο εκτιμώ κι εγώ ιδαίτερα (ή τουλάχιστον το έργο του) ήταν σίγουρα ενδιαφέρουσες και κατάφεραν και με ταξίδεψαν στην Ιαπωνία της εποχής μετά το Shogun 2: Total War. Το πρόβλημα όμως ήταν το κομμάτι που έμπαινε εις βάθος στην παραδοσιακή ιαπωνική τέχνη, και ιδιαίτερα οι εικόνες που το συνόδευαν. Αν εκδιδόταν σήμερα με καλό χαρτί και με λεπτομερείς σαρώσεις και φωτογραφίες από τα έργα και τις τεχνοτροπίες που περιγράφει, θα ήταν σίγουρα πιο πετυχημένο. Και είναι κρίμα, γιατί μου άνοιξε πολύ την όρεξη με τον συνδυασμό καλλιγραφίας, ποίησης και αυτής της υπέροχης ιαπωνικής μελάνης, όλοκληρο το ολιστικό πακέτο που συνδυάζει το μέσο, το μήνυμα, όλες τις πτυχές της αναπαράστασης του μηνύματος, ακόμα και το ίδιο το χαρτί και το σχήμα του ή την διάταξη του…

Πάντως, αν έκανα ένα ταξίδι στην Ιαπωνία του σήμερα ή του τότε, σίγουρα θα μου άρεσε να ακολουθήσω την πορεία του Ανεμοδαρμένου Ταξιδιού. Και, γιατί όχι, να φτιάξω στην πορεία τη δική μου ποίηση και ζωγραφική 2-σε-1 .

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Midway: a Message from the Gyre

MIDWAY a Message from the Gyre : a short film by Chris Jordan from Midway on Vimeo.

I dare you to watch this without having it pluck at your heart. Heeey, it’s okay to shed a tear or two, no-one will think worse of you.

Häxan & No Clear Mind

There was a screening of a 1922 film called Häxan on 11/09 at LAIS. It’s a silent film and as used to be the tradition, a live band was invited to score the film. Greek post-rock group No Clear Mind were there to do the part.

It was one of the most intense audiovisual experiences of my life, comparable in recent memory only to Baraka and maybe the 21/12/’12 Eugenides Planetarium dome show with gravity says I. Is it a coincidence that the entrance for the Planetarium show and tonight’s screening was in both cases free? The best in things in life are, aren’t they?

The movie itself was a rather bizarre -in this awesome and captivating way- presentation of the story of witchcraft in medieval and more modern Europe. I don’t know if it sounds exciting to you -for me it didn’t really-, but the mere fact that this film was in cinemas (probably having already been banned or censored) around the time period my great-grandma was pregnant with her daughter, just made me lose myself in the implications. I imagined people from the future similarly watching contemporary films and getting a glimpse at today’s society. It was breath-taking: I made the realisation that I had moving pictures in front of me that enabled me to have a look at history. What an amazing thing, old films… Of course, not all old movies have this effect on me. In Häxan though I could somehow feel the creators’ need to tell this story, I could see through the techniques they used, I could imagine them working on the film, editing, acting.

The film really made me travel to the 15th century, it made me imagine life then perfectly: dominated by superstition and the church, anything out of the ordinary (whatever people would deem ordinary 500+ years ago, that is) pinnable on these satanic women. “Those people were my ancestors – it could have also been me!”, I thought. Every single person alive in Europe today most probably has predecessors who were burnt at the stake (8,000,000 million suffered this fate, the film claimed), people who had the same needs as us: the need to believe, the need to know, the need to love and feel loved… It was less a film and more a timeless window through which I had a good time recreating the past in my mind with the help of moving pictures. Mission accomplished, right?

And then there was the music. No Clear Mind is a Greek post-rock band I first found out about through Maria Kozari Mela – the girl to whom I more or less owe my meeting with Dafni, by the way. I liked this group before; you know, I would occassionally listen to this one album Maria sent me back then and I’d think “yes, that’s pretty solid music”, maybe also wondering just how many more Greek true quality bands simply get drowned down in the sea of noise we call popular music in this country. But that night, it was something else entirely. I don’t know exactly what happened, if they had written the score for the film or if they were just improvising while watching the it. Whatever it was, it was something else. I already mentioned that it was one of the most intense film & music experiences I can remember having. Crying is the qualifier for these moments for me. I usually cry when the beauty, not the sadness alone, is too much to bear; tonight it was both seperately and both together. It was sublime.

The biggest problem is that it was also probably something I won’t ever be able to share with anyone, unless No Clear Mind have recorded the concert somehow. The film on its silent own or with a different soundtrack would probably not have evoked the same reaction in me; it’s the staggering combination that made it so special.

I realise there are too many words above trying in vain to describe or convey something that required so few of them to make its impact. Here’s to more unexpected, serendipitous moments of beauty…

 

 

Review: The Art of Looking Sideways by Alan Fletcher

The Art of Looking SidewaysThe Art of Looking Sideways by Alan Fletcher

My rating: 5 of 5 stars

 

Above: a photograph of my own copy of The Art of Looking Sideways.

This book is a valuable collection of experiences, quotes, designer-gasms, observations and insights into life, the aesthetic, artistic and general human experience, by late master graphic designer Alan Fletcher.

I got it more than a year ago like new (yes, it took me this long to go through its 1000+ pages reading/enjoying on and off) for around €30. Most of that must have been the shipping costs: when it arrived I really couldn’t believe the sheer mass of it. I tried to scan some of it, once; the results: my current profile picture, and a scanner which since then has been occassionally malfunctioning, the book’s weight having left a permanent scar in its life of digitisation. This is actually the only reason I haven’t been lugging it around more often, showing it to each and every one of my friends — artistically inclined or no.

This book is so thick with inspiration it’s almost impossible to deal with: you can’t open it randomly to catch the creative spark (supposedly Alan Fletcher’s point in making it) without wanting to read it all. Though I suppose this mindless and distracted consumption is a personal demon I have to deal with!

Anyway. I’ll make this short and to the point: this treasure chest of a book is one of my most prized and proud possessions — and believe you me, as a rule I don’t take particular pride anymore in owning things.

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Review: The Umbrella Academy, Vol. 1: Apocalypse Suite by Gerard Way

The Umbrella Academy, Vol. 1: Apocalypse SuiteThe Umbrella Academy, Vol. 1: Apocalypse Suite by Gerard Way

My rating: 4 of 5 stars

Yet another comicbook tome lent to me by my girlfriend Daphne. “This one’s special”, she told me handing it over to me, her words a cross between a teaser and a warning. She was right: superheroes with weird but cool powers, random humour and clever details, awesome panel and page transitions that made me go “woooah, that was brave”, a tongue-in-cheekness in every little thing that sat quite well with me. This is not really my genre of preference, but after The Umbrella Academy I had to ask myself why not. Looking forward to reading Part Two already.

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Creative Photography in the Finnish Wilderness

Sometimes (often) it’s better to let others do the talking first:

Russians, Greeks, Finns and a camera

Written by Юниорский союз Дорога

June 14, a heavy-loaded bus left Petrozavodsk.


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The bus was filled with valenki, maracas, kanteles, hats with earflaps, cameras and kids from the Doroga youth union. They were the participants of a project called “Creative photography in the Finnish wilderness”.

Nobody felt like sleeping the first night. So our group organized a music party with wooden spoons, rattles and maracas. The international audience was thrilled! The Greeks and the Finns were awake as well. The next day the camp was launched leaving no time to sleep at all.

Each participant had to make up a story on any topic. Henna and Sanna from the Steering group helped the participants do it.

Henna, a professional photographer, spoke about basic principles of working with a camera and helped writing a storyline for series of pictures.

The most important thing is to convey your own feelings and emotions but make it understandable to the audience – Henna said.

Sanna taught everybody how to observe face expressions and gestures of other people, nature and how to concentrate on own feelings.

emotions

The harder the work, the better the fun afterwards. Recreation was planned as well. The National park Koli met us at the third day with 300-meter rocks. The park turned out to be perfect for photo shoots.

koli-isl

For the last days of our stay we canoed to the other side of the Pielinen Lake to a place called Ellu. This journey was the most exciting of all. Both experienced canoe riders and newbies were canoeing together.

grebi

When we arrived to Ellu, a delicious lunch was already waiting for us. After that Sanna held a traditional observation training, where participants form couples, one partner closes his eyes and the other one watches him for 5-10 minutes trying to capture the slightest movements and face expressions.

This training is useful for those who take pictures and for the models, it helps them both relax and focus on own feelings. Due to this exercises pictures turn out relaxed and natural – Sanna quoted as saying.

After the training everybody went on with their business: some took pictures, and some just enjoyed beautiful Finnish landscapes. In the evening we went to the sauna and jumped in the lake, we also taught the Greeks how to bathe with sauna switches. They loved it!

shaslyk

The next day we set off back home. We had to finish our stories, chose the music and voice over. Half of participants hadn’t come up with their ideas yet. But then a miracle happened – each of us prepared beautiful short films about our thoughts, feelings and desires. Some were more professional, some – more personal. But most importantly – they were all very different.

krazy

At the final presentation of videos we all felt united due to overwhelming amount of emotions. It didn’t matter whether you were Greek, Russian or Finnish. Each told about the most important and personal things.

In the evening before departure we gave our new friends pins of the Doroga union to remember us by, and of course, we invited them to Karelia. The Greeks already promised to come.

denisfoto

Besides beautiful pictures, we gained experience of organizing international camps. The Doroga youth union is a participant of Matka.ru project. According to the action plan, in a year a new youth center will be constructed in Matkachi. And it will be our turn to organize camps. Lessons learned from the Hyvarila will come in handy.

Many thanks to all participants and especially to the volunteer Steering group – Henna Middeke, Sanna Valkepaa, Magdalena Wollhofen, Karina Sitnik.

irka

Special thanks to the Youth in action EU program that funded the project “Creative photography in the Finnish wilderness” and to the international secretary of the Hyvarila Maija Eskanen who contributed significantly to the project application.

Natalya Yalovitsyna 

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Not feeling very prosaic at the moment so I’ll keep it short, sweet and interesting:

  • You must absolutely try going into a sauna and then jumping in semi-cold water. I’d done it once before, that is when I was in Denmark. Don’t be afraid of revealing your junk, breasts and/or “imperfect” body to others. First, they don’t care about your body as they’re too busy being embarassed of their own one and second, it’s just not worth it worrying too much about it compared to the feeling of freedom you are left with.
  • Who would have thought that eating ants may not be that bad after all? Have a look at this video I made. I wish I could show you the rest of the videos everyone made back in Finland, but neither do I have them nor is this the best place to do so.
  • Imagine meeting someone who looks like he could be a member of the Russian mafia and then, on the last day, he makes a video for his girlfriend back in Russia, in which he has pictures of the crocodile plushie she gave him in all the places he visited while he was in Finland. Yeah. Stereotypes you say?
  • The sun set at 11pm and came up around 3am. In the meantime it never went completely dark. It was awesome.
  • Most participants took more and better photographs than I did, but I don’t really care; as long as I have them next to mine, to look at, remember and smile, .
  • At the end of the day, it’s all about the people. This trip had that part covered. I’m thankful to everyone who made this experience special and another episode in space and time I’m happy to have with me. Daphne and I agree: Karelia will see our faces again.
  • Special thanks go to Εμείς και ο Κόσμος for making this, as well as I SEE GREEN, a reality.

Soundself

This looks like it could have been made -at a basic level at least- in Extending Perception, Extending Action from last July. *sigh* What beautiful memories. I haven’t really posted here about that, have I? About that and the whole Academy of Fine Arts and my rejected application for the Digital Arts MA last autumn? I already feel a kind of perverse nostalgia about the time when that window seemed momentarily open. I’m content with how things have unfolded so now worries, though.

Back to Soundself:

Antichamber is pretty good and the sound design is decent too. I’m looking forward to this, so much so that I wanted to contribute to their Kickstarter, something that I’ve to date never done before. Too bad having to say goodbye to ~€280 for German + Spanish B2 exam fees today and the €4 left in my bank account don’t exactly help. No complaints here either. Just saying.

Doesn’t this look cool too? Deep Sea: The scariest game ever