A galaxy in my mug.
Category: Video
Metronomy – The Look
It’s been a while since I last posted music on here. Heard the song for the first time on our EVS on-arrival training; Gabi from Lithuania put it on when we were drawing on eachother’s blank good-bye t-shirts. It’s now my official earworm of the last 4 days.
шар планина 55, софия
Unexciting, unedited and entirely too long presentation of our EVS residence and flat in Sofia.
Zanda, Vicente, Maria and me behind the camera.
There’s No Tomorrow
Amazing film on energy, growth and food (έχει και ελληνικούς υπότιτλους). It’s Ecology 101, really. Watch it; if you can come up with a good way to get out of this mess -apart from mass conversion to degrowth– tell me. In the meantime, also tell the rest of the world; if no inhuman corporate interest intervenes (including in the form of public disapproval/indifference), you just might become the most important person of the 21st century, if not the whole of human history, at least as we can envision it today.
Alas, many have tried, and today, as far as I can see, there truly seems to be No Tomorrow, at least for the world as we have come to know it. Young people alive today will have to be ready to take the responsibility of being the founders of the post-collapse society.
Are you up for it?
Thanks to Séverine from Heterotopies for posting this on Facebook some months back; only today did I decide to clean it from my tab dump by actually watching it. Internet distraction… ><
Review: The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made
The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made by Greg Sestero
My rating: 5 of 5 stars
Now would be a perfect time for anyone who hasn’t watched The Room (2003) by Tommy Wiseau to watch it. Guys, this movie has been called “the Citizen Kane of bad movies”. There’s a game made based on the story, the following for this cult classic has been going strong for years -it’s still not very famous in Greece but I’m working to change that- and, obviously, a book about it just came out.
A book written by Mark (Greg Sestero) of “Oh, hi Mark!” fame and co-written by Tom Bissell, a person for whom my respect increases by the day. A book I could hardly put down and kept reading it standing up in the metro and in the bus and which I finished in just 3 days. I usually take long with books – sometimes because I force myself to read them rather than enjoying them. This one was different.
The Room is a special case of “WTF, how does this thing exist?!” and a lot of its charm lies on precisely that inexplicability. Who is Tommy Wiseau? Where did he find the film’s $6m budget? Why did he become the unique, strange character he is? Greg Sestero divulges a lot on how he met Tommy Wiseau, what made their relationship special, disastrous and in a way admirable, all the way up to the making of The Room, but those fundamental questions on the very essence The Room are never answered directly. He gave away enough to make me even more interested in Tommy Wiseau as a personality and what he and his ways might have to teach me (I didn’t believe there was anything I could learn from him before I read this book) but not too much, which would ruin everything. At the same time, The Disaster Artist has a certain kind of flow and style that it, as is correctly advertised on the cover, reads more like a novel – and you have to remind yourself that not only is it real life you’re reading about, but also it’s about The Room. The freakin’ ROOM!
Another reason I connected very well with the book was that Greg Sestero’s way of thinking, his reaction to some things, his relationship with Tommy and his whole demeanour reminded me of myself. I could almost imagine myself in a parallel universe in all the situations retold in the book, and that helped a great deal with my immersion in this tragicomic story.
Vsauce: Our Narrow Slice
What does the length of a human life really mean? How do we, often erroneously, perceive historical timeframes? Are we aware how uncharacteristic of our species’ normal pace current progress, and its breakneck speed, is?
One of Vsauce’s best episodes.
Certificates and Heterotopias
This post has been was a work-in-progress ever since I got back from France in August. A major contributing factor for this delay has been a certain game I’ve put close to 4 full days into in the past month. Another has been my enduring inability to prioritise my activities, declutter my life and put my thoughts and feelings in order. I have found that creation is what I need, a positive step in the right direction. Writing more and returning to Cubilone’s Dimension will prove to be, I hope, a step towards solving these problems. Actually, solving them sounds a bit alien; I can’t really imagine myself living without these aspects of my personality. Is this my personal story sabotaging my development? Have I made a self-fulfilling prophecy out of trying to form or carve my identity? Hmmm…
As the months pass by and my post-study period grows longer, the dilemmas grow larger and scarier and often I feel as if I’m stuck in the middle of two worlds.
This summer, after our fantastic experience in Finland in June, two important things happened:
The first one was that, after many years of thinking it over, I finally did my CELTA course, which means that I’m now an internationally certified English teacher, or at the very least I’m elligible to teach pretty much anywhere in the world. For four weeks, eight hours each day, I learned how to teach the English grammar, vocabulary, phonology, various methods, what one should and shouldn’t do… At least the basics, for it’s of course a lifelong process, as is everything. The toughest part was that my 9 colleagues and I each had to teach eight lessons, totalling six hours, which we had to plan thoroughly beforehand as well as execute the best we could in the classroom, teaching real students (who by the way did not have to pay money to learn English because it was trainees teaching them) and later receiving feedback on those lessons from our colleagues and tutor.
Oh, the things I heard about my teaching! I had never taught before, at least not in this “official” sense, and it showed. I was extremely nervous, kept staring at the whiteboard while writing my nonsensical teaching aids, had great trouble explaining in simple words things like the form and function of the present perfect or the lead-in for exercises… If those students hadn’t been as accustomed to other confusing teachers before me, they would have surely performed completely different tasks half the time, which they sometimes did. The tutors were brutal with their criticism at times, but it was all beneficial in the end: it helped me realise that one of my main and enduring weaknesses has been explaining things in simple and unconvoluted words even though, ever since (I remember having the same problem as well many times before), every time I realise I’m explaining something awkwardly or maybe unintelligibly, the self-consciousness still makes it almost impossible to explain in an empathic and efficient way. This will come with experience I suppose but it was one of the most important lessons. On top of that, we had to complete one assignment each weekend, which left us next to no free time at all.
My tutors, Alexander Makarios, George Vassilakis and Marissa Constantinides were all exceptional in their own ways and did an excellent job in making me kick off my teaching career. Thank you guys! My colleagues -Vaggelis, Daniel, Ioni, Chrysanthi, Pedro, Panayota, Margie, Theo and Kelly- I grew sick of and am glad I didn’t have to spend any more time together with them. Just look how much we hate eachother’s guts in the pictures and video:
After I was done with the CELTA I was pumped to leave Greece and go teach English somewhere in the world with the coming of the new school year, preferably at a place in which I would be able to communicate with the locals in their native language. That was something that would exclude Japan -it’s a whole different chapter and dream- but would include Spain, Latin America and Germany/Austria, my B2 certificates for both languages fresh from early last summer and making me eager to get some real life experience with them as soon as possible!
But then the second thing happened.
Even before I had hugged my colleagues and tutors goodbye, desperate for some rest and some time to either think or not have to think at all, at the very least until the time I’d have to leave Greece to do my English-teaching duty, right then came the call for the Trip to Heterotopia. “For 21 days in Southern France we’re going to be a caravan visiting eco-communities, festivals, solidarity projects and groups. We will be wildcamping, so bring your tents, sleeping bags and headlamps!” At first I was very sceptical. I was tired and longed for doing nothing, as I mentioned above. It was only little more than a month since I’d been abroad last and, frankly, I felt as if I’d had enough flying around with backpacks, having to wait in airoports and making new temporary friendships, for the year at least. I reluctantly applied anyway; the idea seemed just too good to skip altogether.
To my surprise, I was actually selected, albeit at the last moment. When I talked with Chrysostomos, the head of European Village (the sending organisation) about the specifics, I warned him that my financial situation was at its usual low. He told me that all the costs together would amount to 120€. A hundred and twenty. I was shocked.
-“What’s the catch?” I thought I was being clever. “What’s the cost of participation?”
-“None. We’ve decided not to have one. Our current budget allows us to handle all the costs; it will be better and more convenient than passing them down to the travellers.”
That was it. 120€ would be cheaper even than staying in Athens for the same amount of time. Dafni wasn’t too happy with the suddenness of it all (we had made various plans for August already) but she was a sweet little understanding raccoon in the end and anyway had her own plans.
So there was us: 10 Greeks, and another 15 French people in it for the three weeks of the exchange. Together we visited five different locations and stayed some days in each, did wildcamping in every place, took part and volunteered for local festivals, picked organic vegetables from the community gardens and patches, learned how to build and use dry toilets (it’s not as bad as it sounds actually), participated in workshops on eco-building and local seed trading, there even was a Greek night dedicated to the Crisis. Our flag”ship” motor vehicle was the Vagabond Sage, a retrofit ’70s coach complete with dry toilet, wind generator and solar panels. We did not use all of its features but it was the symbol of our Trip in the French Heterotopias, the utopias that really exist.
All pictures by Marina, Myrto and Caro (I apologise for the terrible formatting of the pictures above. The gallery couldn’t come out right. I think it’s time for a new theme anyway...)
The experience from those three weeks is hard for me to put into words, not unlike much of the rest of my life. The trip was very practical: we had to pack stuff, unpack stuff, cook most meals from scratch (and cater for close to 30 people at times), deal with stuff changing places and having to ask about their whereabouts (looking at you, coffee and coffeejugs!), set up tents, build dry toilets and showers, empty said toilets, and many more things I’m generally not good at, the cerebral rather than practical, abstract rather than present, clumsy and unwieldy person that I generally am. I was much happier sitting somewhere writing my morning pages (more on those in the near future) or enjoying the sun than really helping to prepare dinner, for example, but not being really useful filled me with guilt. I felt that this separated me from the rest of the group and made it harder for me to contribute to our common goals and tasks. Sure, learning about eco-friendly and transitional practices was heaps of fun and super-interesting; connecting with the French and the Greeks was exciting and fun and there was all this adventure and thrill of moving from place to place and exploring rural Southern France, but I always had this nagging feeling that alone I could not do this, that somehow I wasn’t the right person for it. Once again, as I have too many times before to count, I felt like the black sheep. Or rather a sophisticated, colourful goat among a herd of sheep that has none of the definite deviant prestige that black sheep usually have but instead has a certain, perhaps misplaced, idea of superiority. When that idea is threatened and attacked by no-one in particular but, at the same time, everyone at once, I can be very reclusive and pensive. I was the city kid in a group of people who lived and breathed nature, it seemed. Thankfully, there were other people in the Greek group with whom I could share the feeling.
(Video I made with Phoenix for Daphne. Phoenix is the little fox she got for me while we were in Finland. The video is in Standard Definition, unfortunately.)
At the same time, I know that what we did in that trip is important and is the future. Anything that could make me and others more self-sufficient, make us able to take our own situations into our hands, free to lead our lives as we please, is important in this age of destroyed opportunities, slave wages and fear-mongering. We had some discussions on self-reliance around our almost daily nightly fire, watched a couple of movies that inspired me to take action one way or another (more specifically Να Μην Ζήσουμε Σαν Δούλοι), but most of all it was the people who took part, with their lifestyle and their choices, that made me think and feel.
To cut a long story short, by the time we had got back to Greece I didn’t really want to leave immediately to find a job abroad. I had this feeling that staying here in Athens might not be so futile if I can find a way to use my time actively and creatively. Additionally, I felt and still feel that there’s lots of shit I have to figure out, reconcile, get over or leave behind before I can start something new. Putting some order to my digital belongings, selling or giving away stuff, giving time and energy to learn from everything that has happened in my life recently is really what I need but keep postponing due to distractions. Part of me tells me it’s all still being lazy and that purposefully skipping the opportunity to work abroad when I had it is regrettable, not to say of suspicious motivation on my part.
What appeared instead, however, is an excellent testament to the power of serendipity and letting the flow guide your path. Even if I missed the teaching abroad deadlines, there’s a very good possibility I will still be leaving the country after all to do my EVS (European Voluntary Service). Since there’s nothing urgent to do, might as well take advantage of my extended gap years while at the same time being independent for a change.
The real big questions in my head right now have to do with what path I should follow: one focused on living in the moment, taking advantage of opportunities as they come (the EVS and YIA side), discovering the Heterotopias that exist right under our noses and applying myself to that, or the other, in which I’ll make myself more qualified for actual work (which could be in the form of a MA in Prolonged Indecisiveness) or, yes, getting money and building the foundation for future survival? Certificates or Heterotopias? Playing it by ear as I’ve done a lot lately, or gearing up for the mystical tomorrow-never-comes “adult life”, which some would argue can’t include working as an English teacher abroad? /s
From where I’m standing at the moment, the hopefully upcoming EVS looks like it might be able to combine the best of both worlds for me: independence, creativity, new experiences as well as involving myself with things that might benefit my future options of getting by. Still, it’s too fresh to announce anything concrete. If I’m finally doing it (my application’s in the notorious EVS red tape maze right now), which I should know by December, I’ll be leaving for Bulgaria in January 2014 and will be living there for close to a year working for Sofia City Library. That will involve updating their volunteer-run blog, creating promotional media for the library and, from what I can tell, having relatively lots of freedom to pursue my own projects.
What will happen next and whether or not I’ll manage to take advantage of the months ahead will depend entirely on my own ability to balance, prioritise and purge, while at the same time not leaving the flow. OK, maybe not entirely: the current monumental instability of the world will provide us all with some interesting distractions, surprises, dangers and wild card paradigm shifts. One thing’s for sure: we already have absolutely no excuses to feel bored.
Midway: a Message from the Gyre
MIDWAY a Message from the Gyre : a short film by Chris Jordan from Midway on Vimeo.
I dare you to watch this without having it pluck at your heart. Heeey, it’s okay to shed a tear or two, no-one will think worse of you.
Häxan & No Clear Mind
There was a screening of a 1922 film called Häxan on 11/09 at LAIS. It’s a silent film and as used to be the tradition, a live band was invited to score the film. Greek post-rock group No Clear Mind were there to do the part.
It was one of the most intense audiovisual experiences of my life, comparable in recent memory only to Baraka and maybe the 21/12/’12 Eugenides Planetarium dome show with gravity says I. Is it a coincidence that the entrance for the Planetarium show and tonight’s screening was in both cases free? The best in things in life are, aren’t they?
The movie itself was a rather bizarre -in this awesome and captivating way- presentation of the story of witchcraft in medieval and more modern Europe. I don’t know if it sounds exciting to you -for me it didn’t really-, but the mere fact that this film was in cinemas (probably having already been banned or censored) around the time period my great-grandma was pregnant with her daughter, just made me lose myself in the implications. I imagined people from the future similarly watching contemporary films and getting a glimpse at today’s society. It was breath-taking: I made the realisation that I had moving pictures in front of me that enabled me to have a look at history. What an amazing thing, old films… Of course, not all old movies have this effect on me. In Häxan though I could somehow feel the creators’ need to tell this story, I could see through the techniques they used, I could imagine them working on the film, editing, acting.
The film really made me travel to the 15th century, it made me imagine life then perfectly: dominated by superstition and the church, anything out of the ordinary (whatever people would deem ordinary 500+ years ago, that is) pinnable on these satanic women. “Those people were my ancestors – it could have also been me!”, I thought. Every single person alive in Europe today most probably has predecessors who were burnt at the stake (8,000,000 million suffered this fate, the film claimed), people who had the same needs as us: the need to believe, the need to know, the need to love and feel loved… It was less a film and more a timeless window through which I had a good time recreating the past in my mind with the help of moving pictures. Mission accomplished, right?
And then there was the music. No Clear Mind is a Greek post-rock band I first found out about through Maria Kozari Mela – the girl to whom I more or less owe my meeting with Dafni, by the way. I liked this group before; you know, I would occassionally listen to this one album Maria sent me back then and I’d think “yes, that’s pretty solid music”, maybe also wondering just how many more Greek true quality bands simply get drowned down in the sea of noise we call popular music in this country. But that night, it was something else entirely. I don’t know exactly what happened, if they had written the score for the film or if they were just improvising while watching the it. Whatever it was, it was something else. I already mentioned that it was one of the most intense film & music experiences I can remember having. Crying is the qualifier for these moments for me. I usually cry when the beauty, not the sadness alone, is too much to bear; tonight it was both seperately and both together. It was sublime.
The biggest problem is that it was also probably something I won’t ever be able to share with anyone, unless No Clear Mind have recorded the concert somehow. The film on its silent own or with a different soundtrack would probably not have evoked the same reaction in me; it’s the staggering combination that made it so special.
I realise there are too many words above trying in vain to describe or convey something that required so few of them to make its impact. Here’s to more unexpected, serendipitous moments of beauty…
Game 2.0 – Total War: Rome II Review
Πρέπει να πω ένα δυο έξτρα λογάκια αυτή τη φορά. Tο Metacritic το εκθειάζει. Για ρίχτε όμως μια ματιά στη διαφορά μεταξύ των σχολίων των χρηστών και των επισήμων reviews… Κάτι είναι τόσο σάπιο στο βασίλειο της Δανιμαρκίας στη ρεπούμπλικα της Ρώμης που βρωμάει μέχρι εδώ.
Φοβόμουν ότι αν έβαζα 6/10 σε έναν τόσο πολυαναμενόμενο και πολυδιαφημισμένο τίτλο, θα με έπαιρναν με τις πέτρες. Απ’ότι φαίνεται όμως δεν είναι λίγοι αυτοί που ζητάνε περισσότερη ειλικρίνεια και λιγότερη διαφθορά από τον κόσμο της δημοσιογραφίας των games. Το ηθικό δίδαγμα: ας είσαι ο πρώτος που κάνει το σωστό και θα σε ακολουθήσουν και άλλοι. Be brave; be the change you want to see in the world!
Το review μου.
Και μετά δείτε λίγο από αυτό το βίντεο ακόμα κι αν δεν έχετε παίξει το παιχνίδι. Απλά για πλάκα. Για να δείτε την κατάντια.
Και πάλι… το 16ωράκι μου το χτύπησα αυτό το ΠεμπτοΠαρασκευοΣαββατοκύριακο.