A Great Day For Freedom

I listened to the Division Bell for the first time today. What took me so long, I wonder… Did you know that the name was chosen by Douglas Adams? I found out that they used to be friend with David Gilmour. How cool is that, finding out that two people you admire were friends?

Review: Digital Media Ethics

Digital Media Ethics
Digital Media Ethics by Charles Ess

My rating: 4 of 5 stars

Facebook, privacy, video games (I’m writing an assignment of VGs and morality! ^^J), pornography, piracy, copyright, definitions of identity… all parts of the greater discussion on digital media ethics, options, moral frameworks (and consequently ways of tackling them) and institutional approaches showing more or less malevolent understanding of the current cyber-landscape’s true nature. There’s not much else out there on the matter and even if there was, Digital Media Ethics would still probably take the cake as the most comprehensive book on the matter out now.

One of the good things I got from it was how it really helped me understand the differences between the frameworks that exist to tackle ethical problems. Chances are each one of us, seldom with us being conscious about it, has a combination of degrees of the following:

Utilitarianism → For the greater good (ethics quantified)
Deontology → But you promised! (positive and negative human rights)
Feminist ethics → Ethics of care and emotion (stop DUALISM cartel! Logic of both/and )
Virtue ethics → Practicing excellence as a human (can’t you use your time any better?)
Confucian ethics → We are our relationships (I’m a different onion layer with everyone)

Meta-ethical frameworks:

Ethical relativism → Oh, you know, this tribe… (Hitler = Mother Teresa)
Ethical absolutism → I hold the end-all be-all truth! (Dogmatism much?)
Ethical pluralism → There must be a single truth out there… (…but all we can see are multiple interpretations of it!)

My explanations derive from Charles Ess’s very clear and easy-to-understand writing.
Another reason I like this book, perhaps the most important, is because he was the teacher for the Digital Media Ethics course I took in Aarhus University as an exchange student last autumn. It was a pleasure to take this course but now I have to have my respective assignment ready within less than two weeks. Wish me inspiration and hard work.

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Review: Last Chance to See

Last Chance to See
Last Chance to See by Douglas Adams

My rating: 5 of 5 stars

Douglas Adams proved with this book that he wasn’t just a brilliant science fiction writer with a virtually unrivalled wit and sense of humour; it went to show that he had an admirable, enviable even, sense of social and ecological responsibility, taking him, as far as I am concerned, from the “brilliant writer” tier, to the “paradigm of humanity” club, reserved only for those people (and there’s not a lot of them around) that can work as sources of true inspiration for me. Last Chance To See is a manifesto on almost everything that’s wrong or imbalanced in the world today — and it was written more than 20 years ago. The Douglas Adams impish vibe that is so cherished by many serves as little more than a tasty side dish for this book. It is that good.

My edition has a foreword by Richard Dawkins who has a similar opinion of the late man as I do. While I do not really agree with his flagship Atheist views (even if I would much sooner classify myself as an Atheist than a “Creationist”), he does do a magnificent job of summing up the point of this book in just a few words:

Of the endangered animals that Douglas Adams and Mark Carwardine set out to see, one seems to have gone for good during the intervening two decades. We have noew lost our last chance to see the Yangtze river dolhpin. Or hear it, which is more to the point, for the river dolphin lived ina world where seeing was pretty much out of the question anyway: a murky, muddy river in which sonar came splendidly into its own — until the arrival of massive noise pollution by boat engines.
The loss of the river dolphin is a tragedy, and some of the other wonderful characters in this book cannot be far behind. In his Last Word, Mark Carwardine reflects on why we should care when species, or shole major groups of animals and plants go extinct. He deals with the usual arguments:

Every animal and plant is an integral part of its environment: even Komodo dragons have a major role to play in maintaining the ecological stability of their delicate island homes. If they disappear, so could many other species. And consercation is very much in time with our own survival. Animals and plants provide us with life-saving drugs and food, they pollinate crops and provide important ingredients for many industrial processes.

Yes, yes, he would say that kind of thing, it’s expected of him. But the pity that we need to justify conservation on such human-centered, utilitarian grounds. To borrow an analogy I once used in a different context, it’s a bit like justifying music on the grounds that it’s good exercise for the violinist’s right arm. Surely the real justification for saving these magnificent creatures is the one with which Mark rounds off the book, and which he obviously prefers:

There is one last reason for caring, and I believe that no other is necessary. It is certainly the reason why so many people have devoted their lives to protecting the likes of rhinos, parakeets, kakapos and dolphins. And it is simply this: the world would be a poorer, darker, lonelier place without them.

[…]

He [Douglas Adams] saw with his own eyes how quickly such painstaking edifices of evolutionary artifice can be torn down and tossed to oblivion. He tried to do something about it. So should we, if only to honour the memory of this unrepeatable specimen of Homo Sapiens. For once, the specific name is well deserved.

My respect also goes to Mark Carwardine, who has continued to bring the word out all these years, as well as to all the people all over the world, described in the book or not, that have devoted their lives to noble and moving ideals.

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Review: Equal Rites

Equal Rites
Equal Rites by Terry Pratchett
My rating: 4 of 5 stars

Terry Pratchett is in the same category as Douglas Adams. They are, or were, remarkably clever and ingenious writers that can say the truest things about life in a matter-of-fact way and leave you looking for your jaw which has gone wayward because of getting bored of all this rattling and the vibrations, trying to find a quieter place, away from all this laughter.

In this book in the Discworld “mythos” (using this word in the least serious way possible), for the first time ever, there seems to be a female wizard. In fact, a little girl with a staff. Terry Pratchett really makes his statement on “equal rites” with strong female characters and ridiculous male ones. What more might one want — it’s social commentary on the “real world” and Pratchett, two in the price of one!

The only qualm with the book I had I can think of is that we do not see an adult Esk. It would have been even funner.

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Why?

Why do lots of people only buy lottery tickets only when there’s the ‘biggest jackpot ever’ going on? Don’t they realise that their chances only become slimmer? People seem to be impressed with the large sum of money as if winning the normal, non-jackpot amount is somehow insufficient, as if somehow the extra amount of money can somehow counteract the worse chances of winning. Explain that, people out there who insist that humans are beings of logic!

Why do some people… write like this… on digital media…? They must realise that it reads as if they’re hesitating… unsure… I really hate it… But one can one do… Perhaps there should be an update on punctuation for the digital age… Include stuff like sarcasm marks to replace the dizzying amount of :P, replace Latin questionmarks with Greek ones (;) when typing in Greek and abolish or replace ellipses, whose only purpose nowadays seems to be to either make people look mysterious or aloof through the net or help the insescure ones find some security in the written word…

Why are library PCs so horrible and slow, lacking basic software such as audio drivers? Oh yeah, libraries are supposed to be silent… but I’m not asking for speakers, just for a way to use my fucking headphones! Why is it forbidden to install even updates to the existing software?

Why when the weather is freezing cold, water on the street is very particular if it feels like freezing or not?

Why do I feel obliged to write these things when I know I should be writing my Babel assignment instead?

 

Danish Diaries #14: Putada

Putada 1: I moved out of my room 4 days ago. The clever thieves called Kollegiekontoret, the people behind the dorms of Århus, have included in the contract that when you pay your rent until a certain day you must leave 7 working days earlier (+ the weekend). So my contract ends on the 15th but I had to leave my room on the 6th. These 9 days are included in the rent, of course! Yes, of course! I’ve paid for something that is impossible to use by contract. Well done, Kollegiekontoret, well done.

Putada 2: Moving out means cleaning your room thoroughly, which makes the whole ”7 days!” even stranger, since at least in theory the room is perfectly ready for its next inhabitant. Anyway, I did clean my room thoroughly, took everything and moved it to Ana’s place (thanks Ana!). So the guy came and inspected the room. He had to use his almost UV flashlight to show me how ”dirty” the tiles and the basin were. Yeah. So, 30 euros deducted from my deposit because of some barely visible scale in the bathroom. Emphasis on the barely: I did clean it. It just wasn’t, you know, perfect.

Putada 3: While cleaning my room I had a big bowl of water for the rags I used to clean the surfaces with. Somehow, I’m not really sure how because I was very careful with it, water from this bowl (it must have been from this bowl! :{ ) somehow trickled on the desk and under my laptop, slowly frying it while it was still on — a little bit like the medieval recipe for goose that has it surrounded with flames and slowly being cooked alive. At first, Firefox just wasn’t responding. All of a sudden, BSOD. And that was the hard drive’s last hurrah. Its contact with water must have killed it instantly, painlessly. The rest of the laptop seems to be working fine; the water reached only the hard drive, conveniently only to destroy the pictures I had taken the past 4 months, all the great stuff I had downloaded (which, unless in the next months the Internet is transformed into the digital counterpart of Oceania, should all be easy to find again) but most importantly, my assignments for my Erasmus courses. And the deadline for one of them was yesterday. Cue RE HALL! My professors’ reaction were mild at best, Charless Ess even said something like: something necessary to convince you to be appropriately religious about backing up. I guess he’s right.

Putada 4: I bought two bottles of mead for gifts. The bottles were made of clay so they were more sensitive to shocks than normal bottles. Sure enough, both were cracked before the end of the day I bought them. Cue another, slightly more astonished RE HALL! I had to get rid of them before they had all of their mead leaked out of them, so one I already drunk with my Erasmus classmates in the farewell Sharing Is Caring dinner (I made some tzatziki, baked potatoes and the wonderful cinnamon spaghetti that got Giulia’s –the group’s token Italian girl– approval. I could have died right there). About the other botte, I don’t know. Maybe I can manage to stuff into a plastic bottle and take it home. But the bottles are so pretty and fitting of an old viking drink recipe that it really is a pity that I can’t use them as parts of the gifts themselves.

Putada 5: My digital camera, my beloved e-510, has been acting strange lately. Buttons not working, lenses malfunctioning… Electronics seem to hate me in general lately. Anyway. For the purposes of this story the putada was magnified by its empty battery. So I decided to whip out my beautiful but mostly not used OM2-n that still had maybe 12 shots left before the B&W film I’d had inside since April was ready for developing. Good shots I did take, especially from the ‘last beer’ goodbye party. I finished the film, wound it up with too much effort apparently… and opened the back of the camera only to find the film wrapped up outside of the cartridge (re hall). Paraphrasing the famous song: Light is like oxygen: you get too much, you burn your pics. As you may be able to imagine, that’s exactly what happened. 100% useless film of 36 images lost forever was subsequently used as party prop.

I’ve been also mostly sleeping in the library. It’s verty convenient cause I have to write all of my assignments again and can work without worrying about moving somewhere else to sleep. The Information & Media Studies library is extremely cool. In which other library do you get hammocks and comfy sofas whose purpose is to provide rest to the people that have worked hard all day and joy to everyone? The Danish library culture will be one of the things I’ll look back to the most fondly…

Review: The Ethics of Computer Games

The Ethics of Computer Games
The Ethics of Computer Games by Miguel Sicart

My rating: 4 of 5 stars

Excellent blend of philosophy (chiefly ethics) and a game design analysis. The main idea presented by Miguel Sicart is that gamers take their morality in the games they play, that players are moral subjects with certain cultural and individual backgrounds when they come in contact with a game and cannot be analysed individually without a player-activator. That is to say that as an object turned into an experience by a moral subject cannot exist on its own and thus should not be analysed as an experience players would enjoy passively (as is droned by politicians and the media concerning violent games). The best comparison he gives is that games provide a moral skin for players to wear over their normal subjectivities. This skin is the basis for all interaction with the game world, whatever the player’s role might be within it.

For Sicart, ethical games are games that allow a certain freedom of choice to the player but do not impose their own morality on them as Knights of the Old Republic or Fable would do, both examples of games he deems unethical exactly because the subject that creates the ethical meanings out of the game is not the player-subject herself.

I have never read a more up-to-date and complete reading on games and ethics together and I can say that I generally agree with the author, even with his bolder suggestions. I’m still not sure, though, what exactly makes Custer’s Revenge an example of poor design if it can, in the end, make the player-subject reflect on her actions nonetheless. But I’m prepared to cut him some slack. I mean, an in-depth analysis of BioShock and DEFCON, mentions of obscure little gems like Cursor*10 and Daigasso! Band Brothers?

Miguel Sicart is a philosopher gamer. We need to read more from other people with similar critical abilities and back-catalogue of game experiences. Until then, this book will remain the definitive literature on the subject.

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Africa

[απόσπασμα]

 Τα στερεότυπα μάς ακολουθούν παντού. Όλοι έχουμε γνώμη και συχνά απόλυτη, χωρίς καν να γνωρίζουμε αυτό για το οποίο μιλάμε. Αλήθεια, σκεφτείτε το, πόσα στερεότυπα υπάρχουν για την Αφρική και πόσοι από όσους τα πιστεύουν έχουν επισκεφθεί ποτέ μια αφρικάνικη χώρα; Αν ρωτήσεις τον μέσο Έλληνα (όχι ότι οι Ευρωπαίοι δεν έχουν ανάλογες απόψεις, φυσικά) τη γνώμη του για τους Αφρικανούς θα έχει συγκεκριμένη άποψη, ακόμα και αν η μόνη του επαφή με τους ανθρώπους αυτούς είναι το CD ή η τσάντα που αγόρασε στο δρόμο. […]

Στερεότυπα (λινκ για το πλήρες άρθρο)

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Chimamanda Adichie: The Danger Of A Single Story

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Και για επιδόρπιο:

Why don’t you visit Africa? (Matador)