Αν και συνεχίζει να μου αρέσει πάρα πολύ το Sogno di Volare του Christopher Tin – Tο Όνειρο της Πτήσης, ιταλιστί – υπάρχει ένα μεγάλο παράπονο μου, μια ανησυχία για τη σειρά που δεν έγραψα στο review γιατί δεν νομίζω πως ταιριάζει στο target group του Game 2.0 μάλλον δεν θα την καταλάβαινε ο μέσος παίκτης παιχνιδιών στρατηγικής – πως ακόμα και τώρα, 20 χρόνια μετά το Civilization II που το δοκίμασε με το mechanic της παγκόσμιας υπερθέρμανσης, η σειρά έχει εγκαταλείψει κάθε οικολογική ευαισθησία και τιμωρίες για την αχαλίνωτη ανάπτυξη. Ο πλανήτης είναι το απέραντο ορυχείο, εργοτάξιο, σκουπιδοτενεκές και βόθρος της ανθρωπότητας.
Ως αντιπαραβολή στο Sogno di Volare, βάζω τις δυό τελευταίες φράσεις, αν και θα πρότεινα να το διαβάσετε όλο. Θα σας πάρει 5 λεπτά. Κάντε το στο όνομα της ικανότητας συγκέντρωσης σας.
5. You who have come here from some distant world, to this dry lakeshore and this cairn, and to this cylinder of brass, in which on the last day of all our recorded days I place our final words:
In August 2013 I was in France. I wrote a post about it, too, and made a video quite different from the one above.
Last star to the right, and straight on ’til morning, or Dernière étoile à droite, tout droit jusqu’au matin as is its original title, is an iteration of what took place there.
I randomly appear a number of times on the film but my best contribution are the final words in it. If you don’t want to watch the rest of it (I suggest you do) and would rather just listen to my silky voice full of ums talking about our creating today the civilization of tomorrow, go to 40:43.
I recently read two of Mr. Greer’s books, The Long Descent and The Ecotechnic Future: Envisioning a Post-Peak World. This review is for both of them, as they made me feel and think more or less the same things. For your information, both share the same ideological and theoretical ideas, but they were different in some aspects: The Long Descent’s explanation of what the myth of progress is and how and why it came about I enjoyed more, while it was the practical information, tips, guidelines, the rough sketches of the direction humanity should/will be taking in the next few decades or centuries and the different aspects and challenges of life in the future that I thought were exceptionally valuable in The Ecotechnic Future.
Some have expressed the problems of The Long Descent as in this review, especially related to the more practical aspects of recycling old technology. If you disregard these problems, or are willing to accept them for what they are or look into them for alternatives, these are tremendous books that serve as manuals on theoretical, philosophical and practical levels on how to perceive what’s imperceptible for most people in the present, prepare for the future and predict what it might look like and understand history in a different way which would raise plenty of eyebrows.
Nevertheless, Greer’s argument is incredibly solid. He presents the myth/religion of progress, the inevitability and unavoidable reality of the long peak-oik collapse and the fact that any suggested workaround that comes from the same “myth of progress” mental space as void of meaning and practicality, so convincingly, so eloquently, so overwhelmingly… I have few words left to express without exaggeration my level of admiration and approval I can show to this man.
He may be a druid (just adding it here because for some people it’s a minus, for me it’s a plus), he may have chosen to live without a cell phone or never tried playing video games, he may be “anti-science” or “anti-progress” (silly words coming from people who don’t but superficially grasp the meaning of these concepts), but few times have a I read the work of a man more in line with what I understand the true scientific spirit to be and only rarely do I come across the writings of a person who’s done his or her homework so deeply on what he or she’s purportedly against.
I’m serious. This is a challenge for you, if you’re up to it: persuade me that the points raised by these books and Greer’s work are moot. I can tell you from now that if you try you won’t be able to and will most likely resort to some variation of the typical “it will sort itself out/they will figure something out” or “it’s the next generation’s problem”, that are the popular ways of handling the prospect of the decline of industrial civilization today.
Mr. Greer’s work is not for everyone, but in my view it should be: almost every person living today, especially if their age marks them as young, would benefit from experiencing looking at industrial society and civilization through the prism future generations, who will live by scavenging iron off skyscrapers, to give one particularly memorable prediction off these books, will judge us by. It’s quite a revealing, shocking but also strangely rewarding experience.
The matters laid out by The Ecotechnic Future and The Long Descent form a significant part of what has been bothering me lately and will most likely influence my future decisions. For that I’m grateful. Not happy, at least not yet, how can one be happy when he or she has realised the profundity of his or her own uselessness, but grateful nevertheless.
Βγάζουμε το άχτι μας και τα χώνουμε με τη Δάφνη σε γκέιμερς, την κοινότητα των γκέιμερς, τη βιομηχανία των γκέιμς… Αναρωτιόμαστε τι εστί τελικά γκέιμερ, πώς μπορούμε να επιζήσουμε στον κόσμο του infinite novelty, γιατί διαλέγουμε να παίζουμε αυτά που παίζουμε, πώς μπορούμε εμείς οι ίδιοι να γίνουμε καλύτεροι παίχτες και πολλά άλλα.
Προσοχή: Αν προτιμάτε το WoW απ’το Civilization συνιστάται να αποφύγετε την ακρόαση του συγκεκριμένου (προβοκατόρικου!) επεισοδίου!
And if you didn’t catch today’s deals, don’t worry!
Steam’s Autumn Sale 2013. Here we go again. Daily deals. Yesterday’s deals. Flash deals. Community picks.
There are 86 games in my account: most of them I’ve bought in different Humble Bundles or other sales, such as the ridiculous Holiday Sale of 2011. I’ve played less than half of them and even less than half of those have I “completed” – quotes because the games that I prefer nowadays are generally speaking impossible to complete. A relatively small fraction of those 86 games I got through Game 2.0 for reviewing. I don’t receive physical copies anymore, but I’ve long got over the need of owning real copies of games, especially after getting stuck with boxed copies of games that are tied to Steam keys and which I therefore can’t sell – I’m looking at you, stack of Total Wars!
This time around, you threw in our faces Skyrim Legendary Edition for 13€, Bioshock Infinite for 7.5€, Spelunky for 3€ and Civilization V Gold and the expansion Brave New World for 10€ each. Of all of the above I only resisted to buying Skyrim (it sounded very enticing but I doubt I can give it the time it probably deserves at this point), and still believe I will buy more games before the deals are over (eyeing Super Hexagon and Anno 2070). Only a fool would skip on those prices… And then you’re going to have the Holiday Sale, of course you will. I hope we’ll at least have enough time to enjoy Civilization V online with Garret and Daphne who both got the game the day before during the sale – actually, I got it for Daphne because she seems to love it so much; who would have thought that the hot seat would have grown this hot?
I feel as if I’m being manipulated to no end. It’s confusing to my Fi (ethical system/inner values to you MBTI beginners!) – which dictates that I should at least be trying to avoid being exactly like women going crazy in the shopping mall – as well as it is destructive to my wallet and my time management. You’re tearing me apart, Steama!
But seriously. What gives? How can this even work? How can you have 1532 sales every year without cheating all of the producers and developers? How is this system viable at all? I mean, with these sales and the existence and dominance of Humble Bundle, combined with the ridiculous prices games have at launch only for them to be reduced in a matter of months through these offers (and given the extreme oversaturation of the market), it’s no wonder top AAA games are slowly becoming obsolete. Given of course that people just don’t have enough money to spend on consoles (most of the people I know don’t want to buy a new console, either because of lack of interest, money or both), it’s really no wonder that you, with your cheap, flexible and robust system (and your upcoming Steam Machines) and iOS with its innovation and low prices are looking like you will together dominate the industry even further. And really, what would happen if everybody eventually stopped buying games on day one or – god forbid – stopped preordering like tiny little consumeristic muppets? I’ll tell you what would happen: the entire industry would collapse. Again.
You know something? As cool and comfy as it is, deep down it makes me feel uncomfortable having all of my games in this digital vault made out of thin air. Now you look healthier than ever, but will that be the case in 10 years? 20? You had your DRM creep on us and had us get used to it, and now we bash everyone who tries to steal some of your limelight (yes, I know it’s fun to hate EA and forbidden to even slightly criticise mama Valve). Even if you have allowed offline play, you have made reselling games impossible. Why? How can I trust you, Steam? These cheap games are like a trojan horse: you’re becoming the Google of gaming – people put up with your shitty monopoly because you’re just so damn useful. What if tomorrow I have to buy your SteamMachine to play? What if I suddenly have to, say, pay a fee to access my games – even just a small one? I’d probably pay up just in order to still be able to play 90% of the games I own or play on a regular basis (most of which I certainly won’t have played even by then). Oh, maybe you’re like the other great benefactor, Facebook, which promises that it’s free and always will be. Isn’t that a role model of a company.
Maybe I’m expecting too much – or I’m too sceptical/paranoid. Maybe my thinking is a relic from a different era, when physical mattered more – was more tangible – than digital. Maybe in this Brave New World there really will be no difference between offline and online, the physical and its digital counterpart. As far as I can see, the counterpart in many ways has already replaced the original or is indistinguishable from it (or they really are the same thing). The strictly private has become public, a single thought or utterance shared with the world is immortalised and pinned to its creator forever (or at least for what the word ‘forever’ means in the beginning of the 21st century). The social as well as the commercial sphere is changing too quickly for us to figure out, and, well, honestly we’re just not that smart to understand in what ways we’re being manipulated, controlled and generally taken advantage of at this time by “free” or seemingly harmless services. I hope you can understand, though: all these huge companies who are operating as monopolies (mostly in the digital plane) at the same time working with the secret services of the world or using us in other mostly unknown nefarious ways are just scaring me. No corporation can inspire my trust. That’s all.
I hope you can understand and won’t block me from playing Civilization V because I told you these things. You know I still love you. Right?
Discovered from the Civilization V soundtrack. The Civ series, apart from it probably being my favourite game series (definitely the one I’ve thrown the most hours into, hands down), has some of the greatest music ever, original pieces as well as licensed/older works such as as the above.
I will deliberately not comment on the fact that I would probably only learn about the existence of these pieces from playing the game. Oops.
